This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
While I’m crushing on India, I thought I’d take a post to introduce Blaft, a very young, very hip, very successful Indian press that’s worth checking out. I mean, putting aside their books (whicha are pretty wild), their logo is a purple alien. How awesome is that? And how awesome is it that they have stuffed, squeaky versions of this purple alien at their booth? And semi-racy bookmarks that say “Reading is Sexy”? . . . This really is a press after my heart.
Anyway, about that whole book thing: the first title that Blaft did was an anthology of Tamil Pulp Fiction. Originally conceived of a one-off, the book was a wild sucess, attracting other books, and eventually convincing the husband-wife couple behind this—Rakesh Khanna and Rashmi Ruth Devadasan—and their friend—Kaveri Lalchand—to become publishers. Up till that point none of them had any experience in publishing, so the whole experience has been quite an adventure.
In addition to more pulp fiction-y titles, Blaft is also doing some literary fiction—Charu Nivedita’s Zero Degree is a very experimental, daring book—graphic novels, and even a “pictoral survey of typography and design found on signboards, taxis, buildings, tiffin dabbas, and in other public spaces of Bombay.”
I don’t think I’ve met anyone else here at the fair with as much energy and enthusiasm for publishing. Blaft is here as part of the “Invitation Program,” which helps small, independent presses from Africa, Asia, Latin America, Central and Eastern Europe to attend the fair, make connections, and display their works. This section of Hall 5.0 is one of the most fun to visit, and great for finding about about books and presses that generally don’t get a lot of attention.
And in terms of Blaft, they will be giving a public presentation about their program on Sunday morning at 10:30am in Hall 6.0 E905.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .