This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
After a while, all of the various “book market” presentations from the various countries start to sound the same . . . I know that’s a jaded, semi-ignorant thing to say, but there are only so many times one can here about the average number of books printed per inhabitant, or the total number of copies sold in a given year before all the numbers blur together into some meaningless mess of abstract geometry. (Was it Estonia that produced 27million books in 1991? Or was that 27 thousand? Or . . . )
I’m not trying to imply this info isn’t useful, and it is great when people hand out brochures afterward with all these stats in black-and-white, but what really sticks out to me are the activities various countries are undertaking to get the info about their books out to other editors and publishers. Like the Lithuanian/Latvian/Estonian 300 Baltic Authors presentation, or all the materials from Fundacion TyPA, or, in the case of the Czech Republic, the Czech Literature Portal, which is loaded with all the information a prospective foreign publisher might want.
The site hosts tons of profiles and excerpts from Czech authors, longer essays on Czech literature (such as this one about Czech lit since 1945), author interviews, info on literary periodicals, and, well, information about the Czech book market.
I truly believe that face-to-face meetings are still the best way for publishers to find out about books they should translate, but in the other 300-and-some-odd days in which an international book fair isn’t taking place, sites like these can be extremely useful in promoting a country’s literature and presenting their book scene to the rest of the world.
Now if only all the eBook proponents and new digital media people would hook up with these various foreign agencies . . . Although most of these sites are filled with great content, they tend to be pretty static and traditional. And there are a lot of techies out there who aren’t just interested in the production of e-content, but are looking at ways of using new technologies to engage with readers in exciting ways. I may be typing out of turn here, but it seems like these two groups (foreign literary agencies and new tech people) could benefit from each other . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .