This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
After a while, all of the various “book market” presentations from the various countries start to sound the same . . . I know that’s a jaded, semi-ignorant thing to say, but there are only so many times one can here about the average number of books printed per inhabitant, or the total number of copies sold in a given year before all the numbers blur together into some meaningless mess of abstract geometry. (Was it Estonia that produced 27million books in 1991? Or was that 27 thousand? Or . . . )
I’m not trying to imply this info isn’t useful, and it is great when people hand out brochures afterward with all these stats in black-and-white, but what really sticks out to me are the activities various countries are undertaking to get the info about their books out to other editors and publishers. Like the Lithuanian/Latvian/Estonian 300 Baltic Authors presentation, or all the materials from Fundacion TyPA, or, in the case of the Czech Republic, the Czech Literature Portal, which is loaded with all the information a prospective foreign publisher might want.
The site hosts tons of profiles and excerpts from Czech authors, longer essays on Czech literature (such as this one about Czech lit since 1945), author interviews, info on literary periodicals, and, well, information about the Czech book market.
I truly believe that face-to-face meetings are still the best way for publishers to find out about books they should translate, but in the other 300-and-some-odd days in which an international book fair isn’t taking place, sites like these can be extremely useful in promoting a country’s literature and presenting their book scene to the rest of the world.
Now if only all the eBook proponents and new digital media people would hook up with these various foreign agencies . . . Although most of these sites are filled with great content, they tend to be pretty static and traditional. And there are a lot of techies out there who aren’t just interested in the production of e-content, but are looking at ways of using new technologies to engage with readers in exciting ways. I may be typing out of turn here, but it seems like these two groups (foreign literary agencies and new tech people) could benefit from each other . . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .