This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
After a while, all of the various “book market” presentations from the various countries start to sound the same . . . I know that’s a jaded, semi-ignorant thing to say, but there are only so many times one can here about the average number of books printed per inhabitant, or the total number of copies sold in a given year before all the numbers blur together into some meaningless mess of abstract geometry. (Was it Estonia that produced 27million books in 1991? Or was that 27 thousand? Or . . . )
I’m not trying to imply this info isn’t useful, and it is great when people hand out brochures afterward with all these stats in black-and-white, but what really sticks out to me are the activities various countries are undertaking to get the info about their books out to other editors and publishers. Like the Lithuanian/Latvian/Estonian 300 Baltic Authors presentation, or all the materials from Fundacion TyPA, or, in the case of the Czech Republic, the Czech Literature Portal, which is loaded with all the information a prospective foreign publisher might want.
The site hosts tons of profiles and excerpts from Czech authors, longer essays on Czech literature (such as this one about Czech lit since 1945), author interviews, info on literary periodicals, and, well, information about the Czech book market.
I truly believe that face-to-face meetings are still the best way for publishers to find out about books they should translate, but in the other 300-and-some-odd days in which an international book fair isn’t taking place, sites like these can be extremely useful in promoting a country’s literature and presenting their book scene to the rest of the world.
Now if only all the eBook proponents and new digital media people would hook up with these various foreign agencies . . . Although most of these sites are filled with great content, they tend to be pretty static and traditional. And there are a lot of techies out there who aren’t just interested in the production of e-content, but are looking at ways of using new technologies to engage with readers in exciting ways. I may be typing out of turn here, but it seems like these two groups (foreign literary agencies and new tech people) could benefit from each other . . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .