This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf
Seems like every year the Foundation for the Production and Translation of Dutch Literature (NLPVF) comes to the Frankfurt Book Fair with some very cool new idea or project. Last year it was ”* Great Translation by the Way” publication that set forth a series of directives for how to improve the situation for translations in the European Union. This year it’s Schwob.nl.
Schwob.nl was unveiled at a special reception at Fleming’s Hotel last night, and hinges on the idea that translations should be a two-way cultural exchange. Oftentimes, when the NLPVF people go to say, Turkey, and implore Turkish publishers to do more Dutch books, the Turkish publishers start asking questions back about how many Turkish writers are actually available in Dutch. And to no one’s surprise, “Well, um, you know, Orhan Pamuk?” doesn’t go over so well.
But beyond the role economics and corporate publishing houses play in this imbalance, there’s also the problem of information. How much information about Turkish authors is available to Dutch readers and publishers? Just guessing here, but probably not a lot. (And probably a hell of a lot more than what’s available to American readers and publishers. Anyway . . .)
So to offer a digital corrective to this problem (I don’t mean that to sound so horrifyingly medicinal), the NLPVF created schwob.nl as a site to bring info about quality literature to the attention of Dutch readers, editors, and publishers through newsletters, features on the site, etc. (And to all you Americans and Brits—I’ll let you in on a little secret: the site is entirely in English, so you can actually take advantage of this as well.)
Right now there’s only one article available on the site (click here to download the pdf: http://www.schwob.nl/about/), but it’s a very interesting piece about Chinese author Shi Tiesheng that’s written by Chinese-to-Dutch translator Mark Leenhouts and touches on some bigger issues about contemporary Chinese literature.
This site is meant to be an open forum for exchanging recommendations, so if there are any “forgotten classics, cult books, or must-reads” from your country that you want to share with Dutch readers the rest of the world, e-mail the info to firstname.lastname@example.org. And be sure to sign up for the Schwob.nl newsletter . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .