20 October 09 | Chad W. Post

This post originally appeared on the Frankfurt Book Fair blog. I highly recommend visiting the official blog for interesting posts from Richard Nash, Alex Hippisley-Cox, and Arun Wolf

In order to better promote works of Indian literature and independent Indian presses, a number of publishers are talking about joining forces to create their own collective stand at next year’s Book Fair. Granted, this is all still in development, but Zubaan Books, DC Books, Blaft, and Kalachuvadu Publications have all agreed in principle to working together to create a large, joint display at FBF 2010.

Let me put this into a bit of perspective and explain to anyone not actually here at the Fair why this is noteworthy. If you wander through halls 5 and 6 (again, for those not here, the FBF is made up of eight large halls filled with throusands of stands) you’ll see huge displays from the “book offices” in Romania, Hungary, Estonia, Denmark, Argentina, Iceland, Macedonia, etc., etc. These national book promotions are incredibly helpful to publishers looking for some information about what’s going on in the book scene in a particular part of the world. There are usually overview guides (e.g., “48 New Writers from Poland,” “New Korean Fiction,” “10 Books from Holland and Flanders”) booklets with data on that country’s book market, lists upon lists upon lists of publishers from that country, and all kinds of other promotional material.

Well, although India was a huge success as Guest of Honor just a few short years ago, the National Book Trust stand is completely empty and covered with a white sheet. Not to salt a wound or anything like that, but the Pakistan stand right around the corner is hoppin’ . . .

So for anyone interested in finding out what’s going on in Indian lit, you have the more difficult task of having to troll the aisles and talk (or try to talk) to all the individual publishers. This possible alternative—a vibrant stand with X number of innovative, indie presses—would be a frickin’ godsend. India is booming in all ways. And it’s a market that a lot of people are interested in. To provide a bigger, more attractive, more active platform for these presses to share their knowledge and info would be spectacular.


Comments are disabled for this article.
....
The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >