Our final Reading the World Conversation Series event of the fall is already upon us. Next week, four international writers and translators—all in residence at Ledig House International Writers Residency—are visiting the University of Rochester.
Here are all the details:
Nov. 5, 2009
Gowen Room, Wilson Commons
University of Rochester
(free and open to the public)
Ledig House International Writers Residency is one of the only residences of its type in the United States. Since its creation in 1992, Ledig House has hosted hundreds of writers and translators from roughly 50 countries around the world. The colony’s strong international emphasis reflects the spirit of cultural exchange that is part of Ledig’s enduring legacy.
At this event, Chad Post (Director of Open Letter at the University of Rochester) will lead a panel of writers and translators from around the world—all of whom are currently in residence at Ledig House. The panel will include readings and discussion from:
Kathrin Aehnlich (Germany): Her first novel, published 2007, became a bestseller in Germany.
Tom Dreyer (South Africa): His second novel received the Eugene Marais Prize. His third was shortlisted for the M-Net Prize.
Linda Gaboriau (Canada): She is an award-winning translator of Quebec’s most prominent playwrights.
Pravda Miteva (Bulgaria): She has worked as a literary translator since 1994, and owns a small publishing house.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .