Last Thursday, we held our final Reading the World Conversation Series event of the fall, featuring a group of four international writers and translators in residence at Ledig House — an international writers residency in New York that specializes in hosting authors and translators from around the world.
Now, the video of the event is available. Contained within this eight-part playlist is some reading, some commentary, some strong opinions on translating, and some Q&A:
And here are some more specifics about the event, Ledig House, and our four guests:
November 5, 2009 – Ledig House International Writers Residency is one of the only residences of its type in the United States. Since its creation in 1992, Ledig House has hosted hundreds of writers and translators from roughly 50 countries around the world.
At this event, Chad Post (Director of Open Letter at the University of Rochester) leads a panel of writers and translators from around the world—all of whom are currently in residence at Ledig House. The panel includes readings and discussion from:
Kathrin Aehnlich (Germany): Her first novel, published 2007, became a bestseller in Germany.
Tom Dreyer (South Africa): His second novel received the Eugene Marais Prize. His third was shortlisted for the M-Net Prize.
Linda Gaboriau (Canada): She is an award-winning translator of Quebecs most prominent playwrights.
Pravda Miteva (Bulgaria): She has worked as a literary translator since 1994, and owns a small publishing house.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .