A couple weeks ago, the National Book Critics Circle hosted a panel at Prairie Lights Books in Iowa City entitled “Why Translation Matters?” and featuring Sarah Fay, Christopher Merrill, Cole Swenson, Russell Valentino, (incorrectly identified as Rudolph Valentino on the NBCC info page, which isn’t necessarily the worst person to be mistaken for) and Robin Hemley. (More on all of them below.)
I remember hearing about this panel and hoping that it would be recorded and made available at some point, and thankfully, it now is.
Here’s a bit from the NBCC on all the participants:
Sarah Fay is an advisory editor at The Paris Review. Her work appears regularly in the New York Times Book Review, The Paris Review, Bookforum, and The American Scholar, among others. She is currently a Ph.D. candidate in English Literature at the University of Iowa.
Christopher Merrill has published four collections of poetry, including Brilliant Water and Watch Fire, for which he received the Peter I. B. Lavan Younger Poets Award from the Academy of American Poets. His work has been translated into twenty-five languages, his journalism appears in many publications, and he is the book critic for the daily radio news program, The World. He now directs the International Writing Program at The University of Iowa.
Cole Swensen is the author of twelve books of poetry, most recently Ours (University of California Press, 2008). Her work has been short-listed for the Los Angeles Times Book Award and the National Book Award and won the Iowa Prize, the San Francisco State Poetry Center Book Award, and the National Poetry Series. A 2007 Guggenheim Fellow, she is the co-editor of the Norton Anthology American Hybrid and a professor at the Iowa Writers Workshop.
Russell Scott Valentino is a translator and scholar based in Iowa City, Iowa. He has published eight books and numerous essays and short translations of fiction, nonfiction, and poetry from Italian, Croatian, and Russian. He is the publisher of Autumn Hill Books and Editor of The Iowa Review.He teaches in Iowa’s Translation Workshop.
Robin Hemley is the author of eight books of fiction and nonfiction, most recently Do-Over (Little, Brown). His work has been anthologized widely and he is the recipient of numerous awards including a 2008 Guggenheim, The Nelson Algren Award for Fiction, an Editor’s Choice Book Award for Nonfiction from The American Library Association, and two Pushcart Prizes. He currently directs UI’s Nonfiction Writing Program.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .