A couple weeks ago, the National Book Critics Circle hosted a panel at Prairie Lights Books in Iowa City entitled “Why Translation Matters?” and featuring Sarah Fay, Christopher Merrill, Cole Swenson, Russell Valentino, (incorrectly identified as Rudolph Valentino on the NBCC info page, which isn’t necessarily the worst person to be mistaken for) and Robin Hemley. (More on all of them below.)
I remember hearing about this panel and hoping that it would be recorded and made available at some point, and thankfully, it now is.
Here’s a bit from the NBCC on all the participants:
Sarah Fay is an advisory editor at The Paris Review. Her work appears regularly in the New York Times Book Review, The Paris Review, Bookforum, and The American Scholar, among others. She is currently a Ph.D. candidate in English Literature at the University of Iowa.
Christopher Merrill has published four collections of poetry, including Brilliant Water and Watch Fire, for which he received the Peter I. B. Lavan Younger Poets Award from the Academy of American Poets. His work has been translated into twenty-five languages, his journalism appears in many publications, and he is the book critic for the daily radio news program, The World. He now directs the International Writing Program at The University of Iowa.
Cole Swensen is the author of twelve books of poetry, most recently Ours (University of California Press, 2008). Her work has been short-listed for the Los Angeles Times Book Award and the National Book Award and won the Iowa Prize, the San Francisco State Poetry Center Book Award, and the National Poetry Series. A 2007 Guggenheim Fellow, she is the co-editor of the Norton Anthology American Hybrid and a professor at the Iowa Writers Workshop.
Russell Scott Valentino is a translator and scholar based in Iowa City, Iowa. He has published eight books and numerous essays and short translations of fiction, nonfiction, and poetry from Italian, Croatian, and Russian. He is the publisher of Autumn Hill Books and Editor of The Iowa Review.He teaches in Iowa’s Translation Workshop.
Robin Hemley is the author of eight books of fiction and nonfiction, most recently Do-Over (Little, Brown). His work has been anthologized widely and he is the recipient of numerous awards including a 2008 Guggenheim, The Nelson Algren Award for Fiction, an Editor’s Choice Book Award for Nonfiction from The American Library Association, and two Pushcart Prizes. He currently directs UI’s Nonfiction Writing Program.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .