Don’t mean to play favorites here, but to be honest, in my opinion, Marian Schwartz is one of the smartest, most talented translators working today. Especially in terms of Russian translation. And retranslation. In recent years, she’s translated Envy by Yuri Olesha, Oblomov by Ivan Goncharov, A Hero of Our Time by Mikhail Lermontov, and I know of an unpublished version of Tolstoy’s Anna Karenina.
The real reason I chose to feature Marian today though is to congratulate her on winning this year’s AATSEEL Award for Best Translation into English for her translation of Mikhail Bulgakov’s The White Guard, which came out from Yale University Press. (As a sidenote, one of my interns is preparing a review of this which should run in the next few weeks.)
Marian is also a former president of ALTA, a great speaker on all things translation (she gave a couple killer presentations here at the U of R—including a great speech on retranslations), and a very encouraging, very engaged, very realistic reader, translator, and thinker . . . Personally, I think all young translators should spend some time with her if at all possible—Marian would be an excellent mentor.
Anyway, gushing aside, here are her answers and comments:
Best Translation that You’ve Done to Date: The Tattered Cloak and Other Stories by Nina Berberova
Since I have my issues with Russians and their
lack of understanding of copyright issues, I want to share a brief story (which I’m hopefully not screweing up too bad) Marian told me about Berberova. Back when Marian’s first translations of Berberova were about to come out, she got a gall from Berberova in which Berberova was all excited about all the different places publishing her story. “It’s going to be in here, and also here, and here. . . . “ In Russia, more is obviously better and legal conventions be damned!
Book that Needs to Be Published in English Translation: Cranes and Pygmies by Leonid Yuzefovich, and The Man Who Couldn’t Die by Olga Slavnikova
This is a sort of perfect response. Not necessarily for the choices themselves, but for the googleability of the translations. As it turns out Cranes and Pygmies — which won the Big Book Award — is one of the projects Marian’s currently working on and you can read a sample by clicking here.
And an excerpt from The Man Who Couldn’t Die appeared in Word Without Borders.
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .