Gary is another great example of the hyperactively funny male translator. He’s incredibly fun, warm, and without going into any ALTA politics, one of the important people on ALTA’s board and committees who is liked by all sides. In addition to his ALTA work, and serving as review editor for Translation Review, Gary teaches at Long Island University’s Brooklyn Campus (in contrast to the most excellently named C. W. Post campus).
Anyway, this ALTA conference was the first time I met Gary in person, although I’ve talked with him by phone and e-mail over the past year or so while serving on ALTA’s publications committee. He really does have boundless enthusiasm, and I’m sure will be a huge player in ALTA’s development—especially in terms of its publications, website, and involvement with younger translators.
On to the questions:
Favorite Word in Any Language: carpetovetonico, which refers to a fustian madrileno
I so love the specificity of this word. Not just a pompous Spaniard, but a fustian Madrileno. Now I just need to find a good moment in which to use this . . . Hopefully without starting a bar fight . . .
Best Thing You’ve Translated to Date: La vida es sueno (Life Is a Dream) by Pedro Calderon de la Barca
Calderon (1600-1681) is considered by many to be one of Spain’s greatest playwrights, and, according to Wikipedia (the internet’s greatest quick hit informational resource), he “initiated the second cycle of Spanish Golden Age theater.” Here’s a description of Life Is a Dream (also from Wikipedia—which I feel the need to apologize for, but seriously, this description kicks ass all over the one you can find on the Penguin Classics website):
In the play, the king of Poland has had his son Segismundo imprisoned all of his life because it has been prophesied that the son will bring disaster to the country. The king tells his subjects that his son died after childbirth. After his son has grown to be a man, the king reveals to his court that his son lives, and allows the court to vote in favor of allowing the son to become heir. However, the son turns out to be violent, killing a man and attempting rape. For this he is drugged and returned to his prison, and told upon waking that the previous day’s events were merely a dream. Still, his jailer scolds him for his un-princely behaviour, which prompts remorse in Segismundo. Rebels who are working against the king, who have found out about the treatment of Segismundo, break him out of prison. The rebels defeat the king’s army; however, Segismundo doubts again if he is in reality or a dream, finally deciding that even in a dream we have to behave well because “God is God” and forgives the king . The play ends in a wedding.
(Totally side note, but I think it would be great to do some special panel/podcast/interview with drama translators to talk about the special issues involved in translating plays . . .)
Book that Needs to Be Published in English Translation: Retranslation of Jose Hernandez’s Martin Fierro
As one of the most important Argentine works of all time, I approve this recommendation. In fact, it’s almost shocking that there aren’t new translations of this every few years . . . Maybe it’s time for a Penguin Classics edition?
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .