We still have a few (like seven) books from the fiction longlist left to profile, but to be honest, my attention is turning to next week’s announcement of the fiction and poetry finalists . . . As we did last year, we’ll be announcing 10 books from each category—truly the best of the best of the literature in translation published last year.
Rather than simply announce these on the website, this year we’re going to have a special event at Idlewild Books to celebrate the finalists.
So, next Tuesday, February 16th at 7pm, Cressida Leyshon of The New Yorker will host the festivities and Idra Novey and I will make the grand announcements. This won’t really be a formal panel—more a chance for us to talk about the importance of international literature and to bring some extra deserved attention to these books.
And, as with every great publishing party, there will be drinks.
Everyone reading this should definitely come, and tell all your journalist and blogger friends. It’d be great to use this event as the next push to bring attention to all of these wonderful books and the great translators who often go unappreciated . . .
Copies of all the books will be on hand as well so that attendees can cough financially support cough the publishers/authors/translators/Idlewild. (And all BTBA titles are 20% off . . . )
Hope to see you all there!
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .