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Well, it’s the beginning of the month and time for another Reading the World Podcast. Erica Mena and I co-host this monthly podcast, which features interviews with authors, translators, scholars, publishers, and other international literature enthusiasts. All of the episodes we’ve taped are pretty awesome—a lot of fun, and very thoughtful and interesting as well. You can listen to the first episode here, although I recommend subscribing via iTunes and giving us a 5-star rating. (Along with my aforementioned dream of seeing someone reading and Open Letter book on the subway, my other goal in life is for this podcast to be more popular than one of the dozens of Twilight and Harry Potter podcasts available on iTunes. Just one. But we can’t do this without your support . . . )
Anyway, this month’s episode features Susan Harris of Words Without Borders, who came on to talk about WWB’s educational programs and the Ecco Anthology of International Poetry that she edited along with Ilya Kaminsky. If you know Susan, than you know that this is a pretty funny and exciting conversation . . . and one that needed a bit of editing. Uh, yeah.
Reviewed by Rachael Daum
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
Reviewed by Vincent Francone
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Reviewed by Camila Santos
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
Reviewed by Grant Barber
“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
Reviewed by Larissa Kyzer
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
Reviewed by Tiffany Nichols
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Reviewed by Josh Billings
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
Reviewed by Grant Barber
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
Reviewed by Brendan Riley
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .
Reviewed by Emily Davis
Maybe I’ve been watching too much Doctor Who lately, and I’m therefore liable to see everything through science-fiction-colored glasses. But when the pages of The Miracle Cures of Dr. Aira refer to “the totality of the present and of eternity”. . .
Three Percent is supported in part by the New York State Council on the Arts.
