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The latest addition to our Review Section is a piece on Peter Handke’s latest novella, Don Juan: His Own Version, which is translated from the German by Krishna Winston and published by FSG.
Dan Vitale—one of our new “contributing reviewers,” which is sponsored by a grant from the New York State Council on the Arts—wrote this review. He’s a big Handke fan, and although this may not be Handke’s absolute best, it sounds pretty interesting:
Peter Handke’s latest novella to be published in English translation is narrated by a chef who operates and lives in an inn in the Île-de-France region outside Paris, near the ruins of the Port-Royal-des-Champs convent. Experiencing a period of solitude due to lack of business (all his neighbors — his potential customers — have moved away), he occupies his time reading. Thus, he is an ideal audience for a visiting storyteller who suddenly and fancifully appears in his garden: a visitor from another century and out of the pages of literature — the legendary lover Don Juan.
Handke, in addition to being a brilliant, occasionally controversial playwright and essayist, has for four decades written numerous brief, brilliant, piercing novellas (and two longer works of fiction, including his masterpiece My Year in the No-Man’s-Bay). These works have carried forward the tradition of intensely psychological German-language modernism (Handke is Austrian) and at the same time taken it in new, breathtaking, highly self-conscious directions. A simple recital of some of his titles — The Goalie’s Anxiety at the Penalty Kick; A Sorrow Beyond Dreams; A Moment of True Feeling; and the collection of journal entries The Weight of the World — is enough to capture the dual atmosphere of mournful angst and tender beauty in which his entire oeuvre is steeped.
So, the entrance of the title character in Don Juan: His Own Version is, for Handke, uncharacteristically lighthearted, even farcical.
Click here to read the full review.
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Three Percent is supported in part by the New York State Council on the Arts.
