The latest addition to our Reviews Section is a piece by K.E. Semmel on Olga Slavnikova’s 2017, which is translated from the Russian by Marian Schwartz (one of our favorite translators) and published by Overlook.
K.E. Semmel is the Publications & Communications Manager of The Writer’s Center in Bethesda, MD. His translations of the work of Danish authors Simon Fruelund, Pia Tafdrup, and Jytte Borberg have been published or are forthcoming in numerous literary journals. He’s the recipient of translation grants from the Danish Arts Council. And his review makes this sound really interesting:
It’s hard not to think of twentieth-century Russian history as you crack open 2017, Olga Slavnikova’s Russian Booker Prize winning novel. The year 2017 will mark, of course, the 100th anniversary of the Russian Revolution, which culminated in the collapse of the Czarist autocracy and gave rise to the Soviet Union. It’s against this backdrop that readers enter this novel: a pot brimming with precious stones, a dash of spy novel intrigue, and a raw-to-the-bone social critique bubbling and boiling in a dense, evocative stew.
Excuse the metaphor. This is not a novel of food—far from it. But 2017 is a novel that asks you to savor it slowly, bite by bite. Translator Marian Schwartz, one of the most accomplished Russian translators working today—who has translated the works of Nina Berberova, Edvard Radzinsky, and Mikhail Bulgakov, among others—has recreated Slavnikova’s dense novel in a smooth, eminently enjoyable English text. Passages describing the craft of obscure trades like gemcutting or rock-hounding flow from sentence to sentence with ease, making the translation seem effortless.
At its core, 2017 is a deceptively simple novel that explores the notion of authenticity in a modern life. In the mythical region of the Riphean Mountains, a gifted gem cutter named Krylov meets a woman named Tanya who, unbeknownst to him, happens to be the wife of his rich but humorless mentor, the professor and gem trader Anfilogov. Krylov and Tanya begin a torrid affair that finds them in new beds each time they meet. Meanwhile Krylov’s ex-wife, Tamara, a wealthy and powerful funeral director who still has her eyes set on Krylov, enters the picture and thinks it’s about time she and Krylov get back together again. And what about that rotund spy trailing Tanya and Krylov’s every move? Well, he may or may not have been hired by Tamara to keep track of their affair.
Click here to read the entire review.
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .