Congrats to Gerbrand Bakker, David Colmer, Archipelago Books, and everyone else involved in the creation, production, and promotion of The Twin, which won this year’s International IMPAC Dublin Literary Award 2010. (Whew. Exhale.)1
This book has received heaps of deserved praise—it was a NPR pick for Best Foreign Fiction of the Year, A Powell’s Indiespensable Pick, A School Library Journal Best Adult Book for High School Students, and was shortlisted for the 2010 Best Translated Book Award.
Here’s what the judging panel said about this novel:
Though rich in detail, it’s a sparely written story, with the narrator’s odd small cruelties, laconic humour and surprising tendernesses emerging through a steady, well-paced, unaffected style.
The book convinces from first page to last. With quiet mastery the story draws in the reader. The writing is wonderful: restrained and clear, and studded with detail of farm rhythms in the cold, damp Dutch countryside. The author excels at dialogue, and Helmer’s inner story-telling voice also comes over perfectly as he begins to change everything around him. There are intriguing ambiguities, but no false notes. Nothing and no one is predictable, and yet we believe in them all: the regular tanker driver, the next door neighbour with her two bouncing children, and Jaap, the old farm labourer from the twins’ childhood who comes back to the farm in time for the last great upheaval, as Helmer finally takes charge of what is left of his own life.
This is a really incredible book—surprisingly engrossing, very well written, beautifully produced. And available in paperback on July 1st.
Again, congrats to all involved, and it’s fantastic that the IMPAC award continues to bring great attention to really interesting works of international literature.
1 OK, can’t we just shorten this FOREVER to the IMPAC award? Is the rest even necessary? Well, I guess maybe, since the official website is a fucking mess and near mockery of itself. Look, I’m not telling you how to run your award (just how to create a website that doesn’t make me vomit a little bit in my mouth), but as one of the richest literary prizes in the world, don’t you think you could spare a little change to bring your web presence into the 20th century? C’mon, c’mon. BTW, you do fantastic work—keep it up!
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .