As you may already know, Bragi Olafsson’s new novel, The Ambassador, is releasing next month. It’s an awesome, hilarious, fun novel about an Icelandic poet who attends a poetry festival in Lithuania, where his coat is stolen, where he gets pretty wasted, and where he meets a bunch of eccentric poets (surprise?). (Read an except by clicking here.)
Anyway, we have a really cool promotion for this in the works (some of you already know about this, but I’ll officially announce and explain it later), and in addition, Bragi’s going to be giving a few readings over the next few weeks. Specifically:
Book Talk with Bragi Olafsson
Thursday, September 30th at 6:30pm
Scandinavian House, 58 Park Ave. (at 38th St.), NYC
The World on Our Bookshelves: The Import of Literature in Translation
Saturday, October 2nd at 9am
Pages & Places Festival
ArtWorks, 503 Lackawanna Avenue, Scranton, PA
Reading and Discussion at 192 Books
Tuesday, October 5th at 7pm
192 Books, 192 Tenth Ave. (at 21st St.), NYC
(please RSVP by calling 212.255.4022)
I’ll post more about the Pages & Places Festival separately, but for now, here’s the basic info. And I hope you can come out to at least one of these.
To celebrate the release of this book (Bragi’s second with Open Letter, you should also check out The Pets), we’re giving away 10 copies. Simply go to our Open Letter Books Facebook Fan Page and click “like” or leave a comment on the “giveaway post.” We’ll select the winners on Friday . . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .