As you may already know, Bragi Olafsson’s new novel, The Ambassador, is releasing next month. It’s an awesome, hilarious, fun novel about an Icelandic poet who attends a poetry festival in Lithuania, where his coat is stolen, where he gets pretty wasted, and where he meets a bunch of eccentric poets (surprise?). (Read an except by clicking here.)
Anyway, we have a really cool promotion for this in the works (some of you already know about this, but I’ll officially announce and explain it later), and in addition, Bragi’s going to be giving a few readings over the next few weeks. Specifically:
Book Talk with Bragi Olafsson
Thursday, September 30th at 6:30pm
Scandinavian House, 58 Park Ave. (at 38th St.), NYC
The World on Our Bookshelves: The Import of Literature in Translation
Saturday, October 2nd at 9am
Pages & Places Festival
ArtWorks, 503 Lackawanna Avenue, Scranton, PA
Reading and Discussion at 192 Books
Tuesday, October 5th at 7pm
192 Books, 192 Tenth Ave. (at 21st St.), NYC
(please RSVP by calling 212.255.4022)
I’ll post more about the Pages & Places Festival separately, but for now, here’s the basic info. And I hope you can come out to at least one of these.
To celebrate the release of this book (Bragi’s second with Open Letter, you should also check out The Pets), we’re giving away 10 copies. Simply go to our Open Letter Books Facebook Fan Page and click “like” or leave a comment on the “giveaway post.” We’ll select the winners on Friday . . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .