One of my favorite literary organizations in the country has to be the Ledig House. I could go on and on about how beautiful Omi, NY is, what a great host DW Gibson is, how cool the international authors and translators are that visit, so on and forth.
(And for those of you in the CNY region, you can come find out more on November 9th at one of our RTWCS events featuring four current Ledig House residents.)
Anyway, on November 4th, Ledig House is having a huge fundraiser at 107 Waverly Place, NYC, from 6-8:30. There’s going to be live music, booze, a literary trivia quiz game show, and more booze. Tickets are $100 and can be purchased here.
But for those of us who don’t live in NYC, or those of you who just want to do more to support this great organization, they’re also hosting an online silent auction. Lots of good stuff to bid on, including signed first editions of several Paul Auster books (and signed copies of books by Rick Moody and someone named Dan Brown), literary salon dinners with Lynne Tillman, with Joseph O’Neill, with Gary Shteyngart, and even the chance to have an agent
tear apart evaluate your manuscript.
Bidding is open until October 28th, and most everything is 100% tax-deductible . . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .