Ever since the year 2000, every year seems less believable to me . . . When I was a kid, I never thought I’d see the year 2000, much less the year 2010, after which, 2011 seems sort of anti-climactic. Sure, this technically marks the start of a new decade, but since we never named the last one, it feels pretty non-inspiring. (I mean really, “The Naughts”? WTF? Give me the “Roaring Twenties” or something that makes the time I’m living in sound totally BADASS.)
Nevertheless, the start of a new year is a great time for year end lists (LOVE) and resolutions of the diet and reading variety. I usually don’t do things like this, but when Carolyn Kellogg of the L.A. Times asked for my literary resolution of 2011, I came up with two goals: 1) to give away more books than I acquire this year (good luck! As of this morning I’m already a book and a manuscript in the hole) and 2) to read at least 52 translations over the course of the year. Which seems doable . . . maybe. I’m hoping to post reviews of most of these here (where I’m hoping we can review 100 titles over the course of 2011—a third goal for the new year), but will definitely post short write-ups on Goodreads (username: Chad Post), which has become my latest neurotic pleasure. (Seriously, as soon as I finish a book and/or start one, I log it in at Goodreads. So weird.)
So far, over the weekend I finished re-reading Manuel Puig’s Heartbreak Tango, which is by far my favorite of all of his books, and which I plan on using in the “World Literature & Translation” course I’m going to teach this spring . . . One down, fifty-one to go . . .
Going back to Carolyn’s post for a second, I would like to point out a few of the cooler resolutions for 2011:
David Kipen, former NEA director of literature and owner of Libros Scmibros bookstore in Boyle Heights: Find my Kindle.
Rachel Kushner, author of the novel “Telex From Cuba”: One of my resolutions is to finish the Recognitions, by William Gaddis. I’m on page 650. I have a ways to go, since it’s almost 1,000 pages. I’m not sure why I need a resolution to finish such an incredible novel: it’s startling on a line by line basis. I think I am almost afraid of its cumulative effect. So slick and erudite is it that it may pose some worldview that’s entirely retrograde or demonic or at the very least curmudgeonly, and I won’t know it, and will have internalized whatever its message is, and by the time I realize this, I will have been thoroughly indoctrinated. Because the tone of it, the one that can be grasped, convinces the reader she is in the hands of the Subject Supposed to Know.
The staff of Electric Literature: Our book-related resolution is to stop drinking so much.
I have a better chance of this 52 translations goal if I sign up for resolution number 3 . . .
But in terms of literary resolutions, Michael Orthofer called my attention to this piece by The New Republic senior editor Ruth Franklin on “being a better reader in 2011”:
3. Learn a new language. I have a degree in comparative literature and read a few languages well, yet even I didn’t review many books in translation this year. Critics love to bemoan the dearth of foreign literature available in translation in this country, and to avow our support for presses—like Open Letter or Archipelago Books—that devote their resources to promoting global literature. But how often do we actually review it? This year, I pledge to devote more space to work in translation.
Finally, to close this first post of the XXXX 10s, here are a few things I’ll be posting/launching over the course of this month: new update to the Translation Database, the announcement of the Best Translated Book Award Fiction longlist, a new series covering each of the BTBA fiction longlist titles, reviews of Hotel Europa, Sixty-Five Years of Washington, The Box, Primeval and Other Times, and at least four more, and more info on untranslated books from around the world. Also going to start a new Friday feature of excerpts from new books. Probably start with some Open Letter titles, but hopefully this’ll expand quickly to include other interesting books and presses.
So there. Welcome to 2011.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .