4 January 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Monica Carter on Dumitru Tsepeneag’s Hotel Europa, which was recently published by Dalkey Archive Press in Patrick Camiller’s translation from the Romanian.

Dalkey has published several Tsepeneag novels, including the wonderfully complex Vain Art of the Fugue, and the less than amazing Pigeon Post and The Necessary Marriage. It’s nice to see Dalkey keeping on with Tsepeneag (as with a lot of the authors that are part of their “canon”—more on that in a later post), although based on Monica’s review, it doesn’t sound like this is one of Tsepeneag’s best works.

Before getting to the review, I should mention that Monica is a contributing reviewer for us (special thanks to the New York State Council on the Arts for supporting this program) as well as a member of the Best Translated Book Award fiction committee. She also runs Salonica, a “virtual salon dedicated to promoting international literature.”

Here’s the opening of her take on Hotel Europa:

After reading any of Dumitru Tsepeneag’s works, the one foregone conclusion that a reader understands is that he is undoubtedly a writer of remarkable innovation and skill. This is evident in his work Vain Art of the Fugue and Pigeon Post, both highly original yet very different. In Hotel Europa, his latest novel, we are overcome by both, fooled by both, lulled by both and ultimately fatigued by both. It’s as if he’s fighting with his own originality and nobody wins. With Hotel Europa Tsepeneag returns to the theme of Pigeon Post in which the character is the author who is trying to write a novel. At turns comic, Pigeon Post flitted between two fictional worlds that the author presents to the reader. In Hotel Europa, the combining of the author and narrator creates a two-headed literary monster. It is impossible to choose between the two because they castrate each other, leaving the reader frustrated that there was no winner. The novel is laced with autobiographical elements and also a surreal intertextuality: he tells a story, tells his own story, comments on both and knots both together so it is impossible at times to tell whose story it is. And there may be legitimacy to the claim that “life in a Communist country does much to mask the individual.” Although this is not solely a historical novel, the historical events are handled in a realistic and direct manner, infused with a keen sensitivity.

So here we are presented with the story of a Romanian writer working a novel about Romanian students adapting to life after the collapse of the Ceausescu regime. This seems fertile ground for Tsepeneag because in 1975, Tsepeneag, who was living in France at the time, had his citizenship revoked by Ceausescu. After being exiled, Tsepeneag chose to remain in France and soon began writing in both French and Romanian. The Communist regime clearly impacted the author who infuses the whole novel, successfully, with blatant paranoia. This may also be why France figures prominently and is presented with a bit more benevolence than Romania. In the novel, his wife, Marianne is a Francaise who challenges him and also worries about him. Then the author-narrator escapes to Brittany so that he can work on his novel uninterrupted as if France provides a nurturing matriarchal presence.

Click here to read the full piece.


Comments are disabled for this article.
....
Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

Life Embitters
Life Embitters by Josep Pla
Reviewed by Christopher Iacono

Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .

Read More >

The Physics of Sorrow
The Physics of Sorrow by Georgi Gospodinov
Reviewed by Izidora Angel

“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .

Read More >

Vano and Niko
Vano and Niko by Erlom Akhvlediani
Reviewed by Vincent Francone

What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .

Read More >

The Indian
The Indian by Jón Gnarr
Reviewed by P. T. Smith

The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .

Read More >

Mother of 1084; Old Women; Breast Stories
Mother of 1084; Old Women; Breast Stories by Mahasweta Devi
Reviewed by Christopher Iacono

Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .

Read More >

Tristana
Tristana by Benito Pérez Galdós
Reviewed by Lori Feathers

The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .

Read More >

The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >