Yesterday, Jim Kates (former American Literary Translators Association president, and director of Zephyr Press) was on the NPR show “Here & Now” to talk about Bringing the World’s Literature to an American Audience.
Super-awesome that he namechecks us, but what’s really interesting is his list of recommendations:
Moscow Noir, (stories) edited by Natalia Smirnova and Julia Goumen (Russian)
The Rest is Jungle: Short Stories from Uruguay, by Mario Benedetti, translated by Harry Morales (Spanish)
Desolation of the Chimera, by Luis Cerneda, translated by Stephen Kessler (Spanish)
Forest of Eyes: Selected Poems of Tada Chimako, translated by Jeffrey Angles (Japanese)
69, by MLB [Milosz Biedrzycki] translated by Frank L. Vigoda (Polish)
Flash Cards, by Yu Jian, translated by Wang Ping and Ron Padgett (Chinese)
To the End of the Land, by David Grossman, translated by Jessica Cohen (Hebrew)
Visitation, by Jenny Erpenbeck, translated by Susan Bernofsky (German)
In the United States of Africa, Abdourahman A. Waberi, translated by David and Nicole Ball (French) (This is the second reference to Waberi on Three Percent in as many days . . .)
Agaat, by Marlene van Niekerk, translated by Michiel Heyns (Afrikaans)
And remember, you can listen to the complete conversation here.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .