Here’s how they describe the magazine on their about page:
Readux is a Berlin-based literary website with reviews, interviews, articles, and opinion on German and French books and events.
For you, reader, Readux is a precious source of English-language information by people engaged in local book culture. For us, Readux is a chance to talk about the things we find most interesting or troubling in our reading lives, literary therapy for the lingually displaced. Hopefully, everyone walks away entertained.
Better than that though, is Amanda’s personal statement on why she started this site:
I lead my literary life in Berlin, so I wanted a platform where I could write about the fascinating (sometimes, to an American eye, profoundly weird) book culture I’m immersed in, much of which is otherwise completely inaccessible in English. And I knew other people who were interested in doing the same. Voilà Readux. Context is often what brings books to life; we do reviews, but we also give a lot of space to critical reception, interpretations, events, etc. Readux’s goal is to provide vivid impressions of books and their organic connection to society, written by people who are deeply engaged in local literary discussions.
This hasn’t been up all that long, but already they’ve kicked off a tour of French Moroccan literature (which includes pieces on Moroccan newspapers, and the amazing bookstores of Radat), and reviews of a couple German books, including Robert Walser’s Answer to an Inquiry.
Speaking of the Walser book—they’re currently running a contest to giveaway a copy of Answer to an Inquiry. Click that link to see all the details and enter your name in the drawing.
Worth checking out on a regular basis.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .