The Independent Booksellers Choice Awards was launched by Melville House a couple months back as a way of giving independent booksellers a chance to promote the books from independent publishers that they most love. It’s a great idea, and who better to run this than the stridently independent Melville House Press?
Anyway, you can read more about the underlying philosophy of the award here, but the real excitement is that the 36-title longlist was announced today. (More exciting: It contains The Museum of Eterna’s Novel (The First Good Novel), which is one of my favorite Open Letter books.)
The complete list is below (kind of in alphabetical order), and any & all indie booksellers can vote for their favorite (Macedonio, natch . . . if you need a review copy e-mail me) by clicking here.
Agaat by Marlene Van Niekerk (Tin House)
Aliss at the Fire by Jon Fosse (Dalkey Archive)
An Attempt at Exhausting a Place in Paris by Geroges Perec (Wakefield Press)
Asunder by Robert Lopez (Dzanc)
Black Minutes by Martin Solares (Grove/Atlantic)
Contingency Plan by David K Wheeler (TS Poetry)
Dolly City by Orly Castel-Bloom (Dalkey)
Firework by Eugene Marten (Tyrant Books)
Flyover State by Emma Straub (Flatmancrooked)
Forecast by Shya Scanlon (Flatmancrooked)
Grand Central Winter: Stories from the Street by Lee Stringer (Seven Stories Press)
Great House by Nicole Krauss (W.W. Norton)
I Just Lately Started Buying Wings by Kim Dana Kupperman (Graywolf Press)
Long, Last, Happy by Barry Hannah (Grove/Atlantic)
Lord of Misrule by Jaimy Gordon (McPherson)
Matterhorn by Karl Marlantes (Grove/Atlantic)
Museum of the Weird by Amelia Gray (FC2)
New Jim Crow by Michelle Alexander (New Press)
Nox by Anne Carson (New Directions)
Orion You Came and Took All My Marbles by Kira Henehan (Milkweed Editions)
Report by Jessica Francis Kane (Graywolf)
The Autobiography of Jenny X by Lisa Dierbeck (O/R Books)
The Black History of the White House by Clarence Lusane (City Lights)
The Debba by Avner Mandelman (Other Press)
The French Revolution by Matt Stewart (Soft Skull Press)
The Instructions by Adam Levin (McSweeney’s)
The Jokers by Albert Cossery (NYRB)
The Lonely Polygamist by Brady Udall (W.W. Norton)
The Museum of Eterna’s Novel by Macedonio Fernandez (Open Letter)
The Orange Eats Creeps by Grace Krilanovich (Two Dollar Radio)
The Singer’s Gun by Emily St. John Mandel (Unbridled)
The Windup Girl by Paolo Bacigalupi (Night Shade Books)
Under the Poppy by Kathe Koja (Small Beer Press)
Visitation by Jenny Erpenbeck (New Directions)
Who Was Changed and Who Was Dead by Barbara Comyns (Dorothy)
Wingshooters by Nina Revoyr (Akashic)
Great idea for a prize, and I’m excited to see how this all plays out. It really does depend on what booksellers are most looking for . . . A beautifully produced object like Nox, or something that’s got a decent-sized audience already like The Instructions or Great House.
Voting for the 12-title shortlist is open until April 30th, with voting for the winner taking place from May 1st until the 13th. We’ll post the results as soon as they’re announced.
Kids these days. They think they’ve invented everything. The McOndo writers and Crack Generation, who so proudly buck the Magic Realist tendencies of García Márquez, who seek to find a place within Latin American letters sans spirits . . .. . .
When I was about two-thirds of the way through Neuman’s very ambitious, very engrossing novel, Bromance Will Evans asked me what I thought the purpose the rapist had in this book. Not who the rapist was—something that’s held in suspense. . .
“At night Amarâq is coated with a darkness as viscous as unmixed colors, neither the fjord nor the mountains, valleys, lakes, or the river exist, there is only a black mass, a void that spreads across the landscape sporadically, pressing. . .
If you’ve been following any of the recent Antoine Volodine talk going around Three Percent—both on the blog or on the podcasts—and have heard his fans wax obsessive over all his alter author-egos, you’re probably starting to feel some Volodine. . .
Muireann Maguire’s Red Spectres is a stunning and engaging collection of eleven Russian gothic tales written by various authors during the early Soviet Era, all but two stories of which are featured in English for the first time ever. These. . .
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .