The Independent Booksellers Choice Awards was launched by Melville House a couple months back as a way of giving independent booksellers a chance to promote the books from independent publishers that they most love. It’s a great idea, and who better to run this than the stridently independent Melville House Press?
Anyway, you can read more about the underlying philosophy of the award here, but the real excitement is that the 36-title longlist was announced today. (More exciting: It contains The Museum of Eterna’s Novel (The First Good Novel), which is one of my favorite Open Letter books.)
The complete list is below (kind of in alphabetical order), and any & all indie booksellers can vote for their favorite (Macedonio, natch . . . if you need a review copy e-mail me) by clicking here.
Agaat by Marlene Van Niekerk (Tin House)
Aliss at the Fire by Jon Fosse (Dalkey Archive)
An Attempt at Exhausting a Place in Paris by Geroges Perec (Wakefield Press)
Asunder by Robert Lopez (Dzanc)
Black Minutes by Martin Solares (Grove/Atlantic)
Contingency Plan by David K Wheeler (TS Poetry)
Dolly City by Orly Castel-Bloom (Dalkey)
Firework by Eugene Marten (Tyrant Books)
Flyover State by Emma Straub (Flatmancrooked)
Forecast by Shya Scanlon (Flatmancrooked)
Grand Central Winter: Stories from the Street by Lee Stringer (Seven Stories Press)
Great House by Nicole Krauss (W.W. Norton)
I Just Lately Started Buying Wings by Kim Dana Kupperman (Graywolf Press)
Long, Last, Happy by Barry Hannah (Grove/Atlantic)
Lord of Misrule by Jaimy Gordon (McPherson)
Matterhorn by Karl Marlantes (Grove/Atlantic)
Museum of the Weird by Amelia Gray (FC2)
New Jim Crow by Michelle Alexander (New Press)
Nox by Anne Carson (New Directions)
Orion You Came and Took All My Marbles by Kira Henehan (Milkweed Editions)
Report by Jessica Francis Kane (Graywolf)
The Autobiography of Jenny X by Lisa Dierbeck (O/R Books)
The Black History of the White House by Clarence Lusane (City Lights)
The Debba by Avner Mandelman (Other Press)
The French Revolution by Matt Stewart (Soft Skull Press)
The Instructions by Adam Levin (McSweeney’s)
The Jokers by Albert Cossery (NYRB)
The Lonely Polygamist by Brady Udall (W.W. Norton)
The Museum of Eterna’s Novel by Macedonio Fernandez (Open Letter)
The Orange Eats Creeps by Grace Krilanovich (Two Dollar Radio)
The Singer’s Gun by Emily St. John Mandel (Unbridled)
The Windup Girl by Paolo Bacigalupi (Night Shade Books)
Under the Poppy by Kathe Koja (Small Beer Press)
Visitation by Jenny Erpenbeck (New Directions)
Who Was Changed and Who Was Dead by Barbara Comyns (Dorothy)
Wingshooters by Nina Revoyr (Akashic)
Great idea for a prize, and I’m excited to see how this all plays out. It really does depend on what booksellers are most looking for . . . A beautifully produced object like Nox, or something that’s got a decent-sized audience already like The Instructions or Great House.
Voting for the 12-title shortlist is open until April 30th, with voting for the winner taking place from May 1st until the 13th. We’ll post the results as soon as they’re announced.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .