Last month, Open Letter published its first work of poetry in translation:1 Andrzej Sosnowski’s Lodgings, translated from the Polish by Benjamin Paloff. It recently received a very nice review by E. C. Belli in Words Without Borders:
With Lodgings, translator Benjamin Paloff has made an important contribution to the body of Polish poetry currently available to readers in English. Complete with a translator’s note, a conversation between Sosnowski and Paloff, and poems that span Sosnowski’s entire career to date (1987-2010), Lodgings offers an unusual glimpse into a polyphonous, expansive, and chameleonic strain of Polish poetry. The poems included are pulled from nine of Sosnowski’s collections (including Life in Korea, A Season in Hel, Lodgings, and the most recent poemas), and they are presented, with two exceptions, in their original order.
In an interview that appeared in the Chicago Review in 2000, Polish poet and translator Piotr Sommer called Sosnowski “maybe the single most exciting younger Polish poet” for “breathtaking and very innovative” work that displays a “rich cross-fertilization of influences.” Sommer also explains that the New York School poets and OULIPO were “an important part of [Sosnowski’s] literary tradition and reading experience.” And indeed, what American readers of Lodgings will find is a poet openly in conversation with myriad writers—French ones, such as Mallarmé, and Roussell, but more importantly with Frank O’Hara, John Ashbery, John Berryman, James Schuyler, and Elizabeth Bishop. [. . .]
It is a daunting task to carry over into English Sosnowski’s language, which is a language marked by abrupt shifts in register and suggests an obsessive and ongoing rumination on various literary influences. Paloff has rendered a superb, tonally consistent volume, and has effectively stretched the barriers of his own language.
So, to celebrate this release—and excellent review—we’re giving away 5 copies to the people who “Like” us on Facebook. To enter yourself in this drawing, simply click here and either “Like” or comment on the post about giving away copies of Lodgings . . .
(And let this serve as a very soft sell for Wednesday’s RTWCS event featuring Piotr Sommer and Bill Martin, who will be discussing Polish poetry in translation. More info tomorrow.)
1 We are planning on doing one work of poetry every year. Next up: The Smoke of Distant Fires by Eduardo Chirinos, translated from the Spanish by G. J. Racz.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .