13 April 11 | Chad W. Post

As announced yesterday, Icelandic author Gyrðir Elíasson has won the 2011 Nordic Council Literature Prize for his short story collection Milli trjánna.

From the Adjudicating Committee (! — great name . . . we don’t use the word “adjudicating” near enough in our modern vernacular):

“The Icelandic author Gyrðir Elíasson has won the Nordic Council Literature Prize 2011 for his short story collection Milli trjánna for stylistically outstanding literary art which depicts inner and outer threats in dialogue with world literature.”

Here’s a bit from Jón Yngvi Jóhannsson’s write-up of Milli trjánna:

If anyone wonders where August Strindberg ended up after his death, the answer can be found in Gyrðir Elíasson’s latest collection of short stories, Milli trjánna. Here we meet Strindberg sitting all alone in the canteen in IKEA in Iceland surrounded by shoppers stuffing themselves with Swedish meatballs and cowberry jam. The short story is called Inferno, of course! In some of the book’s other short stories the reader meets the saddened musical brothers who are burying their father, the undertaker, amongst the potatoes in his kitchen garden, another musician who discovers a blank gravestone in his boxroom and last but not least, a black dog. The characters and the surroundings have become familiar to Icelandic readers with a knowledge of the author’s previous works but will probably seem a little strange to foreign readers.

The short stories are woven into each other, and there are references to Gyrðir Elíasson’s previous writings as well as older literature, not least Nordic. From the beginning of his career Gyrðir Elíasson has built up a unique universe, a world where individual texts are reinforced by the whole that they form a part of, almost as if all his production is a colossal borderless text that grows with each new poem or tale.

It’s worth noting that in 2008, Gyrðir Elíasson’s Stone Tree was translated from the Icelandic by Victoria Cribb and published in the UK by Comma Press.

And for more info on Icelandic Literature, be sure to check out Fabulous Iceland a special website that was created to promote Icelandic lit and culture before the 2011 Frankfurt Book Fair, where Iceland will reign supreme as the Guest of Honor.


Comments are disabled for this article.
....
A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >

Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

Read More >

The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >

Thus Bad Begins
Thus Bad Begins by Javier Marías
Reviewed by Kristel Thornell

Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .

Read More >

Death by Water
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >