In Europe is a book that’s been on my “to read” pile since 2007 or so. As Jessica mentions, it’s a huge book, but one that (based on the first 40 pages and her review) is incredibly engrossing. I know this got some decent attention when the hardcover came out, but I feel like it’s a book that deserves even more than that . . . Especially now that it’s available in paperback1.
Jessica LeTourneur studied literature, history, and journalism at the University of Missouri, and attended New York University’s Publishing Institute in 2005. In the past, Jessica has worked as a journalist, as well as at The Missouri Review, the University of Missouri Press, and W. W. Norton & Company. Currently, Jessica is the copyeditor for the journal Southern California Quarterly, and is finishing up her Master’s degree in History and Scholarly Publishing at Arizona State University.
Here’s the opening of her review:
In Europe is a heart wrenching, historically priceless, and utterly fascinating work of nonfiction. Part travelogue, part historical narrative, and part autobiography, it chronicles Dutch journalist Geert Mak’s year-long sojourn from January 1999–December 1999 around the European continent as a sort of “final inspection”. Far beyond simply recounting facts and dates, Mak beautifully individualizes and humanizes the often staggeringly horrific events that marred twentieth-century Europe. Mak’s seamless integration of historical factoids, firsthand interviews, and present-day impressions garnered throughout his journey make for a refreshingly original piece whose language and lessons continue to pervade the reader’s psyche long after the last page has been turned.
Commissioned by his employer, the Dutch newspaper NRC Handelsblad, to tackle this daunting, monumental project, Mak’s articles appeared daily on the paper’s front page. Within In Europe, Mak flushes out of these articles into longer narrative pieces that fit into a cohesive work of nonfiction. Its narrative is framed as a historical journey, and as far as possible, Mak follows the chronological course of twentieth-century European history, “in search of the traces it has left behind.” Beginning in Paris in 1900 and ending in Sarajevo in 1999, Mak journeys throughout Europe’s major cities and countries with a frequently and deftness rivaling Jason Bourne. The essential question Mak seeks to answer throughout his travels and research is “what shape is the continent in, at the conclusion of the twentieth century?” Concluding his prologue, Mak reflects:
“Traveling across Europe, all those months, had been like peeling off layers of old paint. More than ever I realized how, generation upon generation, a shell of distance and alienation had developed between Eastern and Western Europeans.”
Click here to read the full review.
1 And yes, I know the cover image we’re using is from the hardcover, but the paperback version totally sucks.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .