6 May 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Grant Barber on Stigmata, a new graphic novel from Fantagraphics by Lorenzo Mattotti and Claudio Piersanti, translated from the Italian by Kim Thompson.

Unless I’m totally forgetting something, this is the first review of a translated graphic novel that we’ve put up on our site. There’s no reason that we haven’t posted more graphic novel reviews, except that we’re way too busy trying to understand the workings and philosophical implications of Facebook commenting.

But seriously, Edward Gauvin is a great translator of graphic novels from the French (and a great translator overall), and there’s no reason we shouldn’t be covering more of these.

Anyway, the first one to be reviewed is Stigmata, and it’s perfect that Grant Barber, Episcopal priest living on the south shore of Boston, keen bibliophile, and frequent Three Percent reviewer, wrote this up. Here’s the opening of his review and an image:

The novel opens with a wordless picture of an overweight guy sitting up on the edge of his bed in the underwear he has slept in. Unshaven, with an untrimmed goatee and a mohawk that seems more born from the necessity of hair loss than style, the protagonist who speaks in first person—relating his tale—is clearly a man living on the margins of his society . . . revealed to be a 41-year-old alcoholic who is occasionally employed, living in a boarding house.

The book moves quickly to the dream vision he has had: called into the presence of a looming, cosmic, God-Child who promises the man that his suffering will soon be over, and that he is now to receive a sign of this promise—bleeding from a single wound in each palm without pain or infection. He rejects this ‘gift,’ which propels the protagonist out of his boarding house, where people have taken to leaving votive gifts of candles and flowers and requests for miracles. He tries first for a medical cure, which brings imposed psychiatric attention, then life as an ordinary person hiding his wounds unsuccessfully. He joins a circus, falls in love with a woman who accepts him for who he is, loses her in a flood. Eventually finds some rest and acceptance of his condition working in a convent, tending the dead for burial and the keeping up the cemetery.

Click here to read the full piece.

Comments are disabled for this article.
Rambling Jack
Rambling Jack by Micheál Ó Conghaile
Reviewed by Vincent Francone

“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“50 pages?”
“Including illustrations.”
“And this—what. . .

Read More >

The Things We Don't Do
The Things We Don't Do by Andrés Neuman
Reviewed by Tiffany Nichols

Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .

Read More >

Private Life
Private Life by Josep Maria de Sagarra
Reviewed by Christopher Iacono

In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:

When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .

Read More >

Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >