Last week, the Instytut Ksiazki announced that this year’s Transatlantyk Award was to Vlasta Dvořáčková, who translates Polish literature into Czech.
Vlasta Dvořáčková is the most important Czech translator of Czesław Miłosz, Tadeusz Różewicz, Wisława Szymborska, and Zbigniew Herbert. Ever since having studied Polish Literature at Charles University in Prague – in the complex circumstances of a communist state and widespread censorship – she has promoted Polish literature and culture, including authors that were blacklisted. She has performed an invaluable service in her publishing and popularizing of modern Polish poetry, both before and after 1989. Her contribution to the popularization of the classics of Polish literature is also inestimable, as her translations include Jan Andrzej Morsztyn, Józef Ignacy Kraszewski, Henryk Sienkiewicz and Adam Mickiewicz. Dvořáčková has won the Commander’s Cross of the Order of Merit of Poland. In 2009 she received the translation of the year award from the Czech Translators’ Association for her rendering of recent volumes by Wisława Szymborska (Moment, Colon, and Here). She also translates from German and English.
The Transatlantyk is an annual Book Institute award presented for outstanding achievement in the promotion of Polish literature in the world. The Award Chapter selects the winner; it is made up of Ireneusz Kania, Xenia Staroshyelska, Beata Stasińska and Olga Tokarczuk. The head is the Director of the Book Institute. The award includes 10,000 euro and a statue. The winners to date have been: Henryk Bereska (2005), Anders Bodegård (2006), Albrecht Lempp (2007), Xenia Staroshyelska (2008), Biserka Rajčić (2009), and Pietro Marchesani (2010).
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .