The latest addition to our Reviews Section is a piece by Lily Ye on this week’s RTN title The Days of the King by Filip Florian. This was translated from the Romanian by Alistair Ian Blyth and will be coming out from Houghton Mifflin Harcourt next month.
Here’s the opening of Lily’s review:
The Days of the King is a slim volume of dense and full worlds and sentences. The basic plot concerns the dentist Joseph Strauss of Berlin who is called to relocate to Bucharest in order to serve as dentist to captain of dragoons Karl of Hohenzollern who is about to become the prince of the United Principalities of Europe. But the most remarkable thing about this novel is author Filip Florian’s churning prose that moves along at a rapid clip through his use of listless yet list-like sentences that amazingly find no shortage of commas to join their innumerable clauses. Take this single sentence for example, as the dentist Strauss talks to his cat Siegfried on the train to Romania:
“Herr Strauss, who in the middle of the previous winter, in January on the eighth day of the month, had turned thirty, was saying all kinds of things, he was not telling a story, he was no longer chirring away meaninglessly, he was merely saying that he wanted to get out of a rut, that there was a whole host of titties in the world, in any case many more than eleven, that everything was numbingly monotonous, that beer and schnapps were good, but wine is not to be sniffed at, that every town is full to bursting with stripy, spotted, black and white, gray, yellow, plump or lean, squint-eyed, and lame cats, cats of every shape and size, that a fire that robs you of mother and sister goes on roasting your heart forever, it dries you and smokes you like pastrami, that there comes an hour, all of a sudden, when nothing binds you to anyone anymore, that beyond an empire, three mountain ranges, and boundless plains it is possible to be born again, that to be dentist to a king is not the same as draining the pus from the mouth of a captain of dragoons, that a wife means children, that a new country is a new place, and a new place is a new opportunity, that games of whist can be played anywhere at all, that the present looks like a lump of shit and that the future might, with the mercy of God, look better, that a wife means a mother, that a young tomcat has seed enough to fill the earth with kittens, that beyond an empire, three mountain ranges, and a boundless plain there might not be a heaven, but nor can it be hell, that geese saved Rome, that the land where they are headed is called Romania and that there will likely be plenty of goose liver there to fry with slices of apple, black pepper, and onion, that a wife is a sister, that no road is without return, and that a wife means a woman, not just any woman, but one who comes out of an angel’s or a devil’s egg.”
The very next sentence is “And so on and so forth” as if there could possibly be anything more to talk about to your cat.
Click here to read the full review.
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .