1 August 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Julianna Romanazzi on the punctuation-confused “There Are Things I Want You to Know” About Stieg and Me by Eva Gabrielsson, translated by Linda Coverdale and published by Seven Stories.

Julianna’s been posting here for the past few months during her summer internship. She’s currently studying at Hobart & William Smith, and likes to tango.

This book isn’t exactly the sort of book we usually review here, but the whole Stieg Larsson phenomenon sure is something. And Eva Gabrielsson’s situation is pretty interesting. (See this Publishing Perspectives piece for more info about the boo.)

The book itself is meant to be a “biography“—take that as you will—of the late author’s long time partner Eva Gabrielsson, whom he met at age nineteen (she was eighteen), and stayed with for over 30 years. Eva chronicles the ups and downs of their life together, the different political movements and counter movements the couple was involved in, the roots and creation of the Millennium Trilogy, and their reasons for avoiding marriage. The last part of the book is also devoted to Eva’s loss of control over Stieg’s legacy and the downward spiral of his estate.

Gabrielsson writes “This book . . . I wish I hadn’t had to write it. It talks about Stieg, and our life together, but also about my life without him.” Reviews call the book “poignant,” “romantic,” and “touching”; and it is. There are moments of great accomplishment and personal danger mixed with the little everyday couples’ rituals that keep a relationship alive. But there is, of course, another tension.

The book admits early on, in both a foreword by Marie-Francoise Colombani and in the first chapter, that Eva is “today fighting to obtain control over Larsson’s literary estate.” An estate that is according to some sources worth $15 million dollars or more (over 97 million Swedish kronos), the sixth largest estate attributed to a dead celebrity after Michael Jackson, Elvis Presley, JRR Tolkien, Charles Schulz, and John Lennon. But that is not to say that the book does not have its moments of emotion and poignancy.

Click here to read the entire review.


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