24 August 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Julianna Romanazzi on Ludmila Ulitskaya’s Daniel Stein, Interpreter, translated from the Russian by Arch Tait and available from Overlook Press.

Ludmila Ulitskaya is one of a handful of contemporary Russian writers to have a number of their works translated into English. And the others that come to mind—Pelevin, Sorokin—are all males. Over the past few years, Schocken has published The Funeral Party, Medea and Her Children, and Sonechka: A Novella and Stories.

Helps that in addition to being a first-class author, Ulitskaya is a bit of a controversial figure, as chronicled in this piece in the Guardian, which includes a pretty sweet quote:

“My perception of Putin as an individual is that he is quite juvenile, not very mature, and all the pictures we have of him from state television are of Putin climbing Everest or fighting a tiger or extinguishing a fire. It’s just a kind of joke, these macho games.”

Anyway, on to Julianna’s second review of the week . . .

To some in the realm of journalism and literary representation the notions of “poetic license” and “poetic truth” stand as two very dubious cornerstones on which to build factual novels. The shaky foundations leave all kinds of room for interpretation, embellishment and, perhaps in the wrong hands, the glorification of the undeserving, Binjamin Wilkomirki’s Fragments a prime example.

Russian bestselling author Ludmila Ulitskaya, however, brings an interesting take to the table with her book Daniel Stein, Interpreter, a semi-fictitious (more on that later) account of the real life Brother Daniel who led an unconventional and in some ways unbelievable life. Ulitskaya’s novel chronicles the life and ripple effects of literary creation Dieter “Daniel” Stein, an alter ego based on the real Oswald Rufeisen—priest, Gestapo, and Jew.

Presented in epistolary format, the book brings the reader through a web of documents—everything from recorded “Talks to Schoolchildren” to NKVD archives, newspaper articles, and personal letters—on two twisting and intermingling chronological timelines. The first, as is a recurring theme, starts with one of Brother Daniel’s acquaintances in 1985, one for whom he starts as only a rumor. On paths always winding, whether through hearsay or by accident, the people of Ulitskaya’s novel and those existing in real life come to him with problems personal and profound.

Click here to read the full review.


Comments are disabled for this article.
....
Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >

Twenty-One Days of a Neurasthenic
Twenty-One Days of a Neurasthenic by Octave Mirbeau
Reviewed by Lori Feathers

Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .

Read More >

Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >