29 August 11 | Chad W. Post

The Argentina Independent has a great feature on Carlos Gamerro, a very interesting Argentine writer who once contributed to Three Percent and has a couple books coming out in translation. Here’s Joey Rubin’s intro:

The time has come for Carlos Gamerro to speak English. Born into a bilingual family in Buenos Aires in 1962, he’s been using the language since childhood. Since the 1990s, he’s been translating from it (books by Auden, Shakespeare and Graham Green) and lecturing in it (at the Iowa Writers Workshop in the US; at Cambridge University in the UK). But now, readers can welcome the author into a different kind of English conversation: over the next year, two of his novels will be released in first-ever English editions. Those books—‘El secreto y las voces’ and ‘Las islas’—will be released in the UK as ‘An Open Secret’ (Pushkin Press, 2011) and ‘The Islands’ (& Other Stories, 2012).

They are part of a diverse and cultivated body of writing that includes other novels (‘El sueño del señor juez’ and ‘La aventura de los bustos de Eva’), literary essays (‘Harold Bloom y el canon literario’ and ‘El nacimiento de la literatura argentina y otros ensayos’), and short fiction (‘El libro de afectos raros’), works that have helped make Gamerro, according to fellow writer Federico Falco, “one of the inescapable narrators of his generation.” In the last year alone, he’s released two new books: the novel, ‘Un yuppie en la columna del Che Guevara’, and the literary study, ‘Ficciones Barrocas’—both to significant acclaim.

Bad Burgers, available here in an original English translation, has been published thrice before in Spanish—in the magazine ‘Pisar el césped’, the newspaper Página 12, and in the story collection ‘El libro de afectos raros’. It distills much of what makes Gamerro’s writing distinctive; what Federico Falco, writing in the newspaper Perfíl, has called “the three fundamental pillars” on which Gamerro’s writing stands: “brilliantly hatched plots, characters who, without surrendering the profound, rub up against pop culture, and a view of the national reality somewhere between critical and humorous.” Reason enough for English-speakers to listen to what he has to say; now, at long last, in our native tongue. tion (‘El libro de afectos raros’), works that have helped make Gamerro, according to fellow writer Federico Falco, “one of the inescapable narrators of his generation.” In the last year alone, he’s released two new books: the novel, ‘Un yuppie en la columna del Che Guevara’, and the literary study, ‘Ficciones Barrocas’—both to significant acclaim.

And here’s the opening of the interview:

Joey Rubin: You have two books coming out soon in English translations — ‘An Open Secret’ and ‘The Islands’. Can you tell us a bit about the process of bringing them into English? Are they your first full-length works to be published in English?

Carlos Gamerro: Yes, these are my first full-length works to be brought into English. After a few near misses — all of them in the UK, I suppose it’s a side effect of my upbringing. Or maybe it’s one of the mysterious effects of a general trend of Argentine culture where practically all the ‘English’ schools are precisely that, English (even though mine advertised itself as Scottish).

So, after years of waiting, I suddenly found myself with two publishers vying for my work! Pushkin is a prestigious publisher of classics and choice new fiction, and & Other Stories is an exciting new venture you should do a piece about! I was lucky in that both accepted my choice of translator, Buenos Aires-based, England-born Ian Barnett, who’s been living in Argentina for ages now, is an avid reader of Argentine fiction and has been wanting to do my stuff since he first read ‘Las islas’ back in 1998. His translations of me are ‘in collaboration with the author’ although my role is actually less to collaborate than to drive him crazy. With ‘An Open Secret’ we were using the ‘comments’ option and towards the end I thought of looking at the numbers and we had reached comment 1,500! But it’s a dream situation: to have the same translator for all my books, one who is open (or resigned) to all suggestions, who is obsessive, devoted and, to top it all, a good friend.

The whole interview is worth checking out, as is Joey Rubin’s translation of Bad Burgers.

I’m personally very excited to get my hands on both of Carlos’s forthcoming books, which we’ll definitely review here. (And maybe include in Read This Next?)


Comments are disabled for this article.
....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >