Over at NPR, Jesmyn Ward has a really nice write-up of Merce Rodoreda’s Death in Spring:
When a friend gave me Merce Rodoreda’s Death in Spring, he told me it would blow my mind. Ten pages in, I doubted his claim.
The book begins when the narrator, a 14-year-old boy from a small mountain village, slips into a cold, sometimes savage river to escape a bee. His swim is interspersed with descriptions of his isolated community, with its pink painted homes and wisteria vines that “over the years, upwrenched houses.”
Rodoreda’s prose, even in translation, is bold and beautiful, but structured into short chapters and flashbacks. The effect is impressionistic, truncated and frustrating. I couldn’t orient myself in the narrative.
And then I surrendered.
Sure, I’m 125% biased, but Death in Spring is damn amazing. Rodoreda is one of the greats of the twentieth century. This novel, Time of the Doves, her Selected Fiction are all incredible.
But I’m going to digress for a moment and hate all over the NPR commenters on this post.
When this first went up, three separate people wrote in to complain that there was no “SPOILER ALERT”:
It would be really good if you posted a SPOILER ALERT. I unwittingly read something about the novel that probably should have been read only in the novel. I continued to read, thinking that would be the last spoiler, but it wasn’t. I only got past learning that his father was killed in a very unusual way when it appeared I was going to get more details from the book. I doubt you can do a rewrite but can you post a spoiler alert~? :o] Thanks~!
OK, so now, there is a “SPOILER ALERT” warning at the top of the page, but seriously, WTF? Some readers can be so god damn annoying. Yeah, the narrator’s dad dies, “in a very unusual way.” On page 15. And even if you only read books for the simple plot points (hey—you should check out this John Locke guy, he’s probably right up your alley), then wouldn’t it really be spoiled if you knew the unusual way in which he was killed? Whatever. These people piss me off.
And I know that’s wrong, and I should feel guilty about it, but they reduce books to the most basic of components and try and strangle actual conversation about literature because if you happen to mention anything, you’ve “ruined the surprise.” GAARRRRGGGGHHHH!
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
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