Citing a changing climate in the reading world, the furniture authorities are putting a new spin on the old bookshelf – redesigning it to store anything but books.
The storage mavens at IKEA have noticed a shift in what consumers are storing in their bookshelves. After all, a Kindle can hold thousands more books than a wooden tower in the living room. According to The Economist, IKEA will release a new version of its classic BILLY bookshelf next month, one that’s focused less on storing books than storing, well, anything and everything else. The company is finding that customers use their shelves increasingly for “ornaments, tchotchkes and the odd coffee-table tome,” and less so for reading material.
The demise of paperbacks is increasingly imminent. Borders, once a book giant, has closed up shop. Barnes & Noble is staving off the same fate by embracing e-books. It’s clear the book world is well into its digital transition. While IKEA won’t face financial trouble simply because people aren’t buying bookshelves to store books, they’re more than wise to keep up with buyers’ trends.
They’ve realized we don’t need fixed shelves 12 inches high and 9 inches deep. They’ve realized we’re more comforted by the endless capacity of a millimeters-thin box of transistors. And most importantly, they want us to keep buying their furniture. So by changing the depth and height and adding decorative glass doors to their bookshelves, they’ll ensure that the world will still have a use for their some-assembly-required furniture. Go ahead, store your souvenirs on our bookshelf, they’re saying.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
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Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
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Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .