In celebration of it 25th anniversary, FIL Guadalajara (aka the Guadalajara Book Fair) has announced the 25 Best Kept Secrets in Latin America program:
25 writers. Narrators. All invited to Guadalajara to be part of The 25 Best Kept Secrets in Latin America. With this project, the Guadalajara International Book Fair seeks to tear down the borders separating Latin American literature and trace a route for the literature created throughout the continent, and in the year when it celebrates its first quarter of a century as the major publishing gathering in Ibero-America. This event will allow us to have in Guadalajara 25 voices and languages that will offer visitors the same number of ways to decipher, today, Latin America. [. . .]
The group is formed by narrators with more than one published book and whose works are very rarely known outside their countries The authors were chosen through a process that involved reading dozens of books and an extensive consultation process with other writers, publishers, booksellers, journalists and literary critics from Latin America. A committee of readers made the final selection, giving form to this group of authors who have taken writing as a vital option, representing literary views from 15 different Latin American countries.
The meeting of The 25 Best Kept Secrets will be organized around five discussion tables where groups of five authors will talk about their interests and the public will be able to know what is most representative of them. This will take place from Sunday, November 27 through Thursday, December 1 from 19:00 to 21:00. Also, these writers will have meetings with agents and publishers, and they will join young people as part of the Echoes of FIL program.
As if the tequila wasn’t reason enough to attend . . . But seriously, FIL Guadalajara is an absolutely amazing fair. It’s a great place to learn about authors in a wonderful setting that’s both beautiful and loaded with readers who are genuinely thrilled to meet and listen to famous authors. It’s pretty stunning, and everyone involved in publishing and Spanish-language translation has to go at some point in time.
Anyway, here’s the list of the “25 Best Kept Secrets”:
Juan Alvarez (Colombia)
Luis Alberto Bravo (Ecuador)
Andres Burgos (Colombia)
Fabian Casas (Argentina)
Miguel Antonio Chavez (Ecuador)
Carlos Cortes (Costa Rica)
Francisco Diaz Klaassen (Chile)
Jacinta Escudos (El Salvador)
Nona Fernandez (Chile)
Fernanda Garcia Lao (Argentina)
Ulises Juarez Polanco (Nicaragua)
Roberto Martinez Bachrich (Venezuela)
Emiliano Monge (Mexico)
Javier Mosquera Saravia (Guatemala)
Diego Munoz Valenzuela (Chile)
Enrique Planas (Peru)
Maria Eugenia Ramos (Honduras)
Luis Miguel Rivas (Colombia)
Giovanna Rivero (Bolivia)
Hernan Ronsino (Argentina)
Pablo Soler Frost (Mexico)
Daniela Tarazona (Mexico)
Dani Umpi (Uruguay)
Eduardo Varas (Ecuador)
Carlos Oriel Wynter Melo (Panama)
Click here for more info on all of these writers, including bios, excerpts, and lists of their activities at the fair.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .