Not sure why/how we haven’t written about this until now, but there’s a new online literary journal called Anomalous that’s worth checking out, especially now that they just released their third issue.
Founded and run by Erica Mena, Anomalous came into being in earlier this year
as a non-profit press dedicated to the diffusion of writing in the forms it can take. Its backbone is an editorial collective from different backgrounds and geographies that keep an eye out for compelling projects that, in any number of ways, challenge expectations of what writing and reading should be.
At the time of its launch, Anomalous is an online publication, available in both visual and audio forms on various platforms. It has its sights set on publishing chapbooks, advancing audio forms and creation, and supporting all sorts of alternative realities of the near future.
A lot of translation people are involved with this, both in terms of providing content, and on the masthead.
In this new issue — which you can download for free as a PDF, audiobook, ePub file, or Kindle version — you’ll find a Mani Rao’s translation from the Sanskrit of Guru-astakam, attributed to Sankara along with Dick Cluster’s translation from the Spanish ob “The Sign” by Pedro de Jesus, original poems by translator Anna Rosen Guercio, original work from fellow translator John Pluecker, part of Andrew Barrett’s translation from the Ancient Greek of Nonnus’ Dionysiaca, and Steve Bradbury’s translation from the Chinese of Hsia Yu’s “Lining Up to Pay,” along with work from a dozen other writers.
There’s a lot of poetry in here, which is one thing that really sets Anomalous apart. (That and the fact that every issue has an audiobook version.) It’s a very nice publication, and one that I’m sure we’ll be referencing again in the future.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .