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One last legitimate Icelandic song . . . Here’s the Last.fm write-up of Worm Is Green:
Worm Is Green started as the bedroom electronica project of Arni Asgeirsson, who soon enlisted longtime friends from his hometown of Akranes, Iceland (population 5,500) to flesh out his melodic soundscapes. Solidifying into a group, Worm Is Green began recording the songs that would become Automagic, released overseas in 2004 on Iceland’s Thule Musik (home of múm and The Funerals) and now available in the U.S. on Arena Rock.
Critically praised throughout Europe, Automagic is a wondrous album that pairs Asgeirsson’s intricate sound constructions with a potent rhythm section and the haunting, otherworldly vocals of Gudridur Ringsted. Her ethereal singing peppers a record that flits between ambient dream pop and slightly menacing electro-organic music with beats.
Ringsted shines brightest on a risky cover of Joy Division’s beloved “Love Will Tear Us Apart,” a dramatically different take on a classic that was recorded as a request from Thule Musik’s owner. “He wanted to hear a chillout version with female vocals,” Asgeirsson notes. “The result was very surprising, and everybody liked it, so we decided to put it alongside the other tracks we’d previously recorded for Automagic.”
And here’s their cover of the Joy Division classic:
Reviewed by Jeremy Osner
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
Reviewed by Brendan Riley
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
Reviewed by Rachael Daum
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
Reviewed by Vincent Francone
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Reviewed by Camila Santos
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
Reviewed by Grant Barber
“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
Reviewed by Larissa Kyzer
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
Reviewed by Tiffany Nichols
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Reviewed by Josh Billings
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
Reviewed by Grant Barber
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
Three Percent is supported in part by the New York State Council on the Arts.
