At a press conference earlier this week, AmazonCrossing and Fabulous Iceland announced that Amazon would be publishing ten Icelandic titles in the near future, starting with The Greenhouse (which we featured here).
Here’s the official announcement:
“The Icelandic series from AmazonCrossing will ensure that the guest country will still be present on the international book market once the Book Fair has come and gone,” said Halldór Guðmundsson, director of Fabulous Iceland, at a press conference given to announce that AmazonCrossing, a new imprint of Amazon Publishing dedicated to foreign works in translation, had resolved to publish ten Icelandic titles in the near future.
The series will kick off with The Greenhouse by Auður Ava Ólafsdóttir and Hallgrímur Helgason’s The Hitman’s Guide to Iceland. Both authors appeared at the conference. Also slated for publication are works by Viktor Arnar Ingólfsson, Árni Þórarinsson, Vilborg Davíðsdóttir and Steinunn Sigurðardóttir, with more to be announced in early 2012.
Translated books comprise less than three percent of titles published in the United States and United Kingdom. “This figure is too small, by a long shot,” Jon Fine of AmazonCrossing said, adding that the imprint’s aim was to improve the ratio of foreign translation on the English-speaking market. “There are wonderful stories in Iceland and around the world that are not accessible to English speakers. We want to translate these extraordinary international literary works and authors and introduce them to new audiences worldwide.”
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .