Following on yesterday’s spectacular Ledig House event (we’ll have the video up soon), it only seems appropriate to spread the word about Amazon’s latest grant to this admirable organization. From the press release:
Writers Omi at Ledig House, a part of Omi International Arts Center, has been awarded a $26,000 grant from Amazon.com to support two “Amazon.com Translator Fellowships” in 2012. Both fellowships will support a one-month residency at Ledig House for the selected translators. Application for the Amazon.com Translator Fellowships will be open for all translators who wish to apply.
In addition to the translator fellowships, Amazon.com will fund Translation Lab, a week-long special, intensive residency for five collaborating writer-translator teams in the spring of 2012.
With the support of Amazon.com, Ledig House will invite five American translators to Ledig House for one week. These translators will be invited along with the writers whose work they are translating. This focused residency will provide an integral stage of refinement, allowing translators to dialogue with the writers about text-specific questions. It will also serve as an essential community-builder for English-language translators who are working to increase the amount of international literature available to American readers.
According to Ledig House’s director, DW Gibson, “Translators often talk about the questions they compile for authors they are translating, questions of great nuance that require discussion, questions about the history or intension of a word, phrase, or bit of slang. Translation Lab will give translators the opportunity to directly address these questions in a collaborative setting.”
Ledig House’s basic program is absolutely fantastic, and I think the Translation Lab will be a huge boon for translators, since that interaction is extremely valuable. And the Ledig House is a fantastic space to work . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .