The shortlist for the International Prize for Arabic Fiction (better know as the Arabic Booker) was announced earlier today. According to Chair of Judges, Georges Tarabichi,
In these novels the authors’ show an innovative use of new styles to describe the social and historical variety of the Arab world, as well as giving premonitions of the current peoples’ movements, displayed by the concentration on corruption and tyranny formerly prevalent in the Arab world.
You can find the full longlist by clicking here, and here are the six finalists (all descriptions from the official press release):
The Vagrant provides a realistic, engaging portrayal of the Lebanese civil war through the eyes of a young man who finds himself uprooted by the conflict. The hero represents the crisis of the Lebanese individual imposed upon by a sectarian reality. We follow his struggle to belong as he faces unfamiliar situations and conflicts in a society that considers him an outsider.
Embrace on the Brooklyn Bridge is a novel about alienation in its various forms and senses: the hero who doesn’t belong; his second wife, torn between professional ambition and a desperation to give her husband the impression she belongs in his world; his son, with whom he has limited communication; his granddaughter, uncertain where she belongs, and his Egyptian friend, who discovers that neither his children nor his Cuban-American-Lebanese wife belong to his world. All these characters are linked by their relationship with the protagonist, who draws them together by inviting them to his granddaughter’s birthday party, at which he intends to convey some sad news.
After the 1860 civil war in Mount Lebanon, a number of fighters from the religious Druze community are forced into exile, travelling by sea to the fortress of Belgrade on the boundary of the Ottoman Empire. In exchange for the freedom of a fellow fighter, they take with them a Christian man from Beirut called Hana Yaaqub; an unfortunate egg seller who happens to be sitting at the port. The Druze of Belgrade follows their adventures in the Balkans, as they struggle to stay alive.
The Unemployed tells the story of a young, educated Egyptian man from a middle-class family who, like so many others, is forced to look for work in Dubai due to the lack of opportunity in Cairo. In Dubai, he discovers an astonishing world filled with people of all nationalities and he experiences mixed treatment from his friends, relations and acquaintances. And then, just as he falls in love with an Egyptian girl, he finds himself imprisoned for the murder of a Russian prostitute . . .
Toy of Fire is the story of a meeting between the novelist, Bashir Mufti, and a mysterious character called Rada Shawish, who presents Mufti with a manuscript containing his autobiography. Shawish’s goal in life has always been not to turn out like his father, who ran an underground cell in the seventies and committed suicide in the eighties. However, circumstances have driven him to follow in his father’s footsteps, resulting in him becoming a leading member of a secret group of his own.
The Women of Al-Basatin is an intimate portrayal of the daily lives of a modest family living in the Al-Basatin district of Tunis in Tunisia. Through the stories of this small matriarchal environment, we observe the contradictions of the wider Tunisian society, exposing a world in flux between burdensome religious traditions and a troubled modernity.
No way to really make any predictions based on this smidgen of information, but I think The Vagrant will win, although Toy of Fire and The Unemployed also sound pretty interesting . . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .