On Thursday morning, I’ll be taking off to attend (and participate in) this year’s Blue Metropolis festival in Montreal.
In case you haven’t heard of it, the Blue Met is one of the (or maybe just the?) largest literary festivals in Quebec. It runs from April 18th through the 23rd, and features a ton of great events taking place in several different languages and featuring authors from Canada (Perrine Leblanc), the U.S. (Joyce Carol Oates), and the rest of the world (Juan Gabriel Vasquez, Teresa Solana).
The main reason I’m going to be there is to participate in this event:
Friday, April 20, 2:30pm (aka 14:30)
Godin Room, Hotel Opus
Cracking the U.S. Market
Two influential critics, writers and publishing insiders talk about how Canadian writers, editors and publishers can break into the U.S. publishing market and possible directions that the market will take in the next few years.
Scott Esposito, Chad Post, Katia Grubisic (moderator)
First off, it’s awesome to be referred to as “influential,” and also awesome to have a full panel to talk about all these issues with Scott. The three of us have exchanged a few emails about the event, and just based on these, I can guarantee the panel will be fun, funny, and informative.
If you’re going to be at the festival, here are a few other events I’d recommend:
Hopefully I’ll meet up with some of you there!
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While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
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Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .