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The latest addition to our Reviews Section is a piece by Katie Assef on Jean-Philippe Toussaint’s The Truth about Marie, translated from the French by Matthew B. Smith and available from Dalkey Archive Press.
Katie Assef is another of Susan Bernofsky’s students who very kindly offered to write reviews for Three Percent. Here’s the opening of her review:
In The Truth about Marie, Belgian writer Jean-Philippe Toussaint takes us on a journey from Paris to Tokyo, with a sensuous detour to the island of Elba. It’s a book that begins with a thunderstorm and ends in massive forest fires, a love story examined through the lens of a tumultuous breakup. When the novel opens, Marie is spending a night with her new lover, Jean-Christophe, in the apartment she and the unnamed narrator formerly shared. At the same moment, in his apartment a few blocks away, the narrator is making love to a woman about whom we learn only that she, too, is named Marie. A drama will unfold this evening, bringing the ex-lovers back together, if only long enough to move a dresser out of a bedroom.
Readers familiar with Toussaint’s œuvre will recognize these characters: though the book is not exactly a sequel, it is narratively linked to the 2005 novel Fuir (published in the U.S. in 2009 as Running Away, also translated by Matthew B. Smith). The earlier book focuses on the disintegration of the couple’s relationship during a trip to Japan, and The Truth about Marie begins months after their breakup proper. Toussaint beautifully renders that period—for some of us, indefinite—when a relationship has ended, but we continue to live in its atmosphere. The “truth” he describes has little to do with Marie herself; rather, it speaks to the idea that the only stability in love is instability. “I loved her, yes,” the narrator tells us, “It may be very imprecise to say I loved her, but nothing could be more precise.”
Click here to read the entire review.
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Three Percent is supported in part by the New York State Council on the Arts.
