As it says in the introduction to my list, I gave it my “best shot.”
Here are a few of the stories I chose:
1. “Continuity of Parks,” Julio Cortázar – Kind of have to make this number 1, since it was the first story I read in Spanish that totally blew my mind . . . And created a life-long passion for Cortázar.
3. “Entropy,” Thomas Pynchon – I love Pynchon so much, I’d tattoo him on my arm. His stories may be so-so, but his comments about women’s hair are brilliant: “I will spare everybody a detailed discussion of all the over-writing that occurs in these stories, except to mention how distressed I am at the number of tendrils that keep showing up. I still don’t even know for sure what a tendril is.”
6. “Her Sense of Timing,” Stanley Elkin – This is one of those stories that’s hilarious, since it’s not happening to you. Watching a disabled man struggle to host a surreally destructive party on the same day his wife leaves him has never been so hysterical.
10. “The Dinosaur,” Augusto Monterroso – So, I’ll just give you this whole story rather than try and describe it: “When [s]he awoke, the dinosaur was still there.” That’s it, and that’s brilliant.
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .