The latest addition to our Reviews Section is a piece by regular reviewer Larissa Kyzer on Copenhagen Noir, edited by Bo Tao Michaelis and translated by Mark Kline (with one lone translation from the Swedish by Lone Thygesen) and published by Akashic Books.
As Larissa notes at the start of her review, this is one of the recent entries in Akashic’s long-running and very successful “CITY X Noir” series. Here’s a list of all of the noir books they’ve published.
And here’s the opening of Larissa’s piece:
Although the current social and political landscape of Denmark make it a natural setting for contemporary crime writing, the country has, until recently, remained in the shadow of its Nordic neighbors in this respect. This is not to say that Denmark is lacking authors of mysteries, crime stories, and thrillers of all stripes—merely that those authors have not generally made their way into English translation, and more particularly, into the American market. But the Swedish/Norwegian (and to a lesser extent, Icelandic and Finnish) choke-hold on the English-language crime market relented last year, with a wave of Danish publications. The Boy in the Suitcase by writing team Lene Kaaerbøl and Agnete Friis, The Keeper of Lost Causes by Jussi Adler-Olsen, Call Me Princess by Sara Blædel, and, of course, Denmark’s obligatory entry in the astoundingly successful Akashic Noir series, Copenhagen Noir, all were published in the US in 2011.
“You have arrived in Scandinavia. You have just entered a long, bitter winter. Here there are no free rides. Here you are left to your own fate.” So begins Naja Marie Aidt’s “Women in Copenhagen,” the first story in Copenhagen Noir. And while this bleak depiction of Denmark’s welfare state may seem a tad overwrought to an outside observer, it does characterize a general unease that underlies each of the collection’s stories. Copenhagen Noir serves as a sort of shadowy primer to the growing insecurities and upheavals taking place in Denmark today. As Bo Tao Michaëlis (a cultural critic and author of several books on American authors including Dashiell Hammett and Raymond Chandler) notes in his introduction to the collection,
“Gone is the provincial city appointed as capitol; instead, one is confronted with a metropolis where the food is from the Middle East, the wine from California, the women from Africa, and the mafia from Russia. Mafia! A new word at these latitudes, where crime formerly took place among bands identified with city neighborhoods and regions.”
Click here to read the full review.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .