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I feel like I’m pretty knowledgeable about international authors, but I have to admit that I’ve never heard of Swedish author Klas Östergren, whose latest novel is reviewed in today’s New York Sun:
Klas Östergren is hailed as one of Sweden’s most important living writers. Swedish critics have compared his writing to that of Paul Auster and Haruki Murakami, whose influences are clearly felt in Mr. Östergren’s fourth novel, Gentlemen (MacAdam/Cage, 375 pages, $25), an elegantly written work of metafiction.
The book sounds really interesting—the story of three artists during the years of 1948 to 1978. Sounds funny, light, and kind of wild, until things take a slightly darker turn.
It is not until three-fifths through the novel that the brothers’ ideals collide with reality, and the book, hitherto an episodic, plotless account, is plunged into its most sustained and gripping action. For about 50 pages, Gentlemen becomes a political thriller as Leo unravels a dark secret in Sweden’s history involving the Third Reich. Although he endeavors to bring the story to light, the powers that be stymie him, driving him first to a mental institution, and then to the bottle.
Reviewed by Chad W. Post
When I was about two-thirds of the way through Neuman’s very ambitious, very engrossing novel, Bromance Will Evans asked me what I thought the purpose the rapist had in this book. Not who the rapist was—something that’s held in suspense. . .
Reviewed by Jennifer Marquart
“At night Amarâq is coated with a darkness as viscous as unmixed colors, neither the fjord nor the mountains, valleys, lakes, or the river exist, there is only a black mass, a void that spreads across the landscape sporadically, pressing. . .
Reviewed by John Thomas Mahany
If you’ve been following any of the recent Antoine Volodine talk going around Three Percent—both on the blog or on the podcasts—and have heard his fans wax obsessive over all his alter author-egos, you’re probably starting to feel some Volodine. . .
Reviewed by Aleksandra Fazlipour
Muireann Maguire’s Red Spectres is a stunning and engaging collection of eleven Russian gothic tales written by various authors during the early Soviet Era, all but two stories of which are featured in English for the first time ever. These. . .
Reviewed by Jeremy Osner
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
Reviewed by Brendan Riley
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
Reviewed by Rachael Daum
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
Reviewed by Vincent Francone
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Reviewed by Camila Santos
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
Reviewed by Grant Barber
“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
Three Percent is supported in part by the New York State Council on the Arts.
