This week’s podcast is a special Eurovision edition featuring resident Eurovision expert, Kaija Straumanis. We go through a bunch of the videos/songs participating in this year’s competition and make fun of almost everything while also trying to come to understand why Eurovision is so compelling in its bizarreness. To follow along with our comments, I highly recommend watching the videos below as you listen to the podcast—it will greatly enhance your listening experience.
And for more info on what Eurovision is and how it works, check out the posts by our other resident Eurovision expert Janis Stirna.
Opening music: “Running Scared” by Ell/Nikki (Azerbaijan)
“Woki Mit Deim Popo” by Trackshittaz (Austria)
“Love Will Set You Free” by Engelbert Humperdinck (United Kingdom)
“Party for Everybody” by Buranovskiye Babushki (Russia)
“Don’t Close Your Eyes” by Max Jason Mai (Slovakia)
“The Social Network Song” by Valentina Monetta (San Marino)
“Euphoria” by Loreen (Sweden)
“I’m a Joker” by Anri Jokhadze (Georgia)
“You and Me” by Joan (The Netherlands)
“Lăutar” by Pasha Parfeny
“Be My Guest” by Gaitana
Outro Music: “Beautiful Song” by Anmary
Though far from the most convincing reason to read literature in translation, one common side effect is learning of another culture, of its history. Within that, and a stronger motivation to read, is the discovery of stories not possible within. . .
Despite cries that literature is dead, dying, and self-replicating in the worst way, once in a while a book comes along to remind readers that there’s still a lot of surprise to be found on the printed page. To be. . .
“I was small. And my village was small, I came to know that in time. But when I was small it was big for me, so big that when I had to cross it from one end to the other,. . .
A few weeks after moving into a farm house in the Welsh countryside, Emilie, an expatriate from the Netherlands, starts to think about her uncle. This uncle tried to drown himself in a pond in front of the hotel where. . .
Think back to the last adventure- or action-type book you read. Wasn’t it cool? Didn’t it make you want to do things, like learn to shoot a crossbow, hack complicated information systems, travel to strange worlds, take on knife-wielding thugs,. . .
In Aira’s Shantytown, while we’re inside the characters’ heads for a good portion of the story, the voice we read on the page is really that of Aira himself, as he works out the plot of the book he’s writing.. . .
Noir is not an easy genre to define—or if it once was, that was a long time ago, in a galaxy far, far away; as a quick guess, maybe Silver Lake, Los Angeles, 1935. When two books as different as. . .
Some time ago I read this phrase: “The page is the only place in the universe God left blank for me.”
Pedro Mairal’s short novel The Missing Year of Juan Salvatierra is more about these blank spaces than the usual full. . .
“What if even in the afterlife you have to know foreign languages? Since I have already suffered so much trying to speak Danish, make sure to assign me to the Polish zone . . .”
So reads a typical aphoristic “poem”. . .
If you somehow managed to overlook the 2012 translation of Andrés Neuman’s breathtaking Traveler of the Century (and woe betide all whom continue to do so), you now have two exceptional works of fiction from the young Argentine virtuoso demanding. . .