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The latest review to our Reviews Section is a piece by Jeremy Garber on Enrique Vila-Matas’s Dublinesque, which Anne McLean and Rosalind Harvey translated from the Spanish and is available from New Directions.
Enrique Vila-Matas was born in Barcelona in 1948. His novels have been translated into eleven languages and honored by many prestigious literary awards including the Prix Médicis Etranger. He has received Europe’s most prestigious awards and been translated into twenty-seven languages.
Here is part of his review:
“The funeral march has begun, and it is futile for those of us who remain loyal to the printed page to protest and rage in the midst of our despair.” Samuel Riba, Dublinesque’s depressive and narcissistic protagonist, stumbles upon this and other similarly prophetic sentiments in an online article proclaiming the death of print and the ensuing “disappearance of literary authors.” In the early pages of Dublinesque (Dublinesca), Enrique Vila-Matas’s most recent novel to be translated into English, we learn of Riba’s fearful and forlorn attitude as regards the future of literary publishing:
He dreams of the day when the spell of the best-seller will be broken, making way for the reappearance of the talented reader, and for the terms of the moral contract between author and audience to be reconsidered. He dreams of the day when literary publishers can breathe again, those who live for an active reader, for a reader open enough to buy a book and allow a conscience radically different from his own to appear in his mind. He believes that if talent is demanded of a literary publisher or a writer, it must also be demanded of a reader. Because we mustn’t deceive ourselves: on the journey of reading we often travel through difficult terrains that demand a capacity for intelligent emotion, a desire to understand the other, and to approach a language distinct from the one of our daily tyrannies… Writers fail readers, but it also happens the other way around and readers fail writers when all they ask of them is confirmation that the world is how they see it…
Click here to read the entire review.
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“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
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Three Percent is supported in part by the New York State Council on the Arts.
