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The latest addition to our Reviews Section is a piece by Kathryn Longenbach on Umberto Eco’s Inventing the Enemy, which is translated from the Italian by Richard Dixon and is available from Houghton Mifflin Harcourt.
Kathryn Longenbach is a rising senior at Hamilton College. She is
pursuing a double major in English and art history. Kathryn spent the
past semester studying in Italy and is now an intern here at Open
Letter. This is Kathryn’s first review for threepercent.
Here’s part of her review:
Umberto Eco introduces Inventing the Enemy as a compilation of “occasional writings” (xi); indeed, the essays in this collection were written intermittently throughout the past decade and expound upon a vast array of subject matters. Several of the essays were originally presented as lectures at various gatherings (ranging from film festivals to scholarly conferences) while others first appeared as articles in an assortment of Italian publications. Certain pieces are actually assemblages of multiple works: “Hugo, Hélas!: The Poetics of Excess” combines three of Eco’s past lectures and writings. This variety of sources generates the diverse themes of these essays, which range from a study of the various uses (both physical and symbolic) of fire to an inspection of current issues such as censorship and abortion; Eco gives the sense that there is no topic too provocative or too trivial.
Inventing the Enemy acquires its title from the initial essay in the collection. Here, Eco develops a theme of his earlier novel, The Prague Cemetery, by demonstrating how the existence of an enemy is crucial to a nation’s success—so crucial, in fact, that if an enemy does not exist, a nation must create one. Such a target may well be an outsider, but people can apply the term “enemy” even to an insider who conducts himself differently than those around him (as evidence, Eco cites several examples such as the Church’s persecution of heretics). Eco maintains that this creation of an adversary is unavoidable:
Click here to read the entire review.
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Three Percent is supported in part by the New York State Council on the Arts.
