Not sure how I missed the initial announcement of this, but Paper Republic and People’s Literature Magazine (wow, that website is something) have gotten together to put out Pathlight a downloadable magazine featuring “New Chinese Writing.”
Here’s the TOC from Issue 2:
Wang Anyi: ‘Dark Alley’
Jia Pingwa: ‘The Hunter’
Medrol: ‘Contract with the Gods’
Mai Jia: ‘A Voice from the Beyond’
Ge Fei: ‘Mona Lisa’s Smile’
Zhou Daxin: ‘Golden Fields of Wheat’
Fang Fang: ‘Yan Wu’
Anni Baobei: ‘Qizhao: Lonely Island’
Lu Min: ‘Hidden Diseases’
Wei Wei: ‘George’s Book’
Guo Wenbin: ‘Blessings of Good Fortune’
A Yi: ‘Common People’
Yu Jian: ‘Elephant’, ‘Hometown’, ‘Executing Saddam’, ‘Incident: Wind’, ‘The road I chose . . . still led to sunset and the trees’, ‘Terrorists’, ‘Unspeakable Fear and Longing’
Pan Wei: ‘Dingjiaqiao Village’, ‘Moonlight’
Tian He: ‘Going Home’, ‘Wet Nurse’, ‘Brothers Divide the Household’, ‘Tonight’s Moon’, ‘The Setting Sun’, ‘Earthenware’
Wang Xiaoni: ‘Moonlight is Extremely White’, ‘Thinking This, Then Thinking That’, ‘Those I Don’t Know I Don’t Want to Know’, ‘Early Morning’,‘Starting Anew as a Poet’
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Despite cries that literature is dead, dying, and self-replicating in the worst way, once in a while a book comes along to remind readers that there’s still a lot of surprise to be found on the printed page. To be. . .
“I was small. And my village was small, I came to know that in time. But when I was small it was big for me, so big that when I had to cross it from one end to the other,. . .
A few weeks after moving into a farm house in the Welsh countryside, Emilie, an expatriate from the Netherlands, starts to think about her uncle. This uncle tried to drown himself in a pond in front of the hotel where. . .
Think back to the last adventure- or action-type book you read. Wasn’t it cool? Didn’t it make you want to do things, like learn to shoot a crossbow, hack complicated information systems, travel to strange worlds, take on knife-wielding thugs,. . .
In Aira’s Shantytown, while we’re inside the characters’ heads for a good portion of the story, the voice we read on the page is really that of Aira himself, as he works out the plot of the book he’s writing.. . .
Noir is not an easy genre to define—or if it once was, that was a long time ago, in a galaxy far, far away; as a quick guess, maybe Silver Lake, Los Angeles, 1935. When two books as different as. . .
Some time ago I read this phrase: “The page is the only place in the universe God left blank for me.”
Pedro Mairal’s short novel The Missing Year of Juan Salvatierra is more about these blank spaces than the usual full. . .
“What if even in the afterlife you have to know foreign languages? Since I have already suffered so much trying to speak Danish, make sure to assign me to the Polish zone . . .”
So reads a typical aphoristic “poem”. . .
If you somehow managed to overlook the 2012 translation of Andrés Neuman’s breathtaking Traveler of the Century (and woe betide all whom continue to do so), you now have two exceptional works of fiction from the young Argentine virtuoso demanding. . .