31 July 12 | Aleksandra Fazlipour

The latest addition to our Reviews Section is a piece by Will Evans on Mikhail Shishkin’s Maidenhair, which is translated from the Russian by Marian Schwartz.

Maidenhair will be available to purchase from our very own Open Letter Books on October 23, 2012.

Here’s part of Will’s review:

Contemporary Russian literature all too often falls into a ghettoized section of world literature that keep fans of translated and international literature from fully enjoying the best works of the last twenty years. One problem is a tendency for Western sources to focus on the political elements in a Russian text that inevitably denigrates the quality of the literature itself. At the same time, too many scholars of Russian literature place contemporary Russian literature into a different ghetto altogether, with the predominant sentiment in American universities being that great Russian literature died once upon a time with Bulgakov or Pasternak. This fact is, of course, 100% not true. Both of these problems keep Russian literature from its proper place in discussions of world literature. We appreciate so many of the Russian classics as above politics and existent outside of but wholly influenced by the passage of historical time, while their themes are inherently but subtly political as they discuss the contradictions and distortions in the daily realities of the Russian society that combine to make the stories so timeless and powerful.

Mikhail Shishkin’s Maidenhair is the type of novel that professors of Russian literature can hold up as a shining example in their classrooms that no, Russian literature is not dead (nor has it ever been), while those who might not know their Pushkin from their Shishkin can read and enjoy Maidenhair as a standalone work of literary brilliance; while at the same time the notoriously fickle American readers who might have read Anna Karenina when Oprah’s Book Club made their recommendation or stumbled upon and enjoyed Master & Margarita can sink their mindsteeth into Marian Schwartz’s incredible translation of Shishkin’s novel and marvel in the fact that Maidenhair harkens back to the great classic Russian novels of ideas in every way.

Click here to read the entire review.


Comments are disabled for this article.
....
The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >