31 July 12 | Aleksandra Fazlipour

The latest addition to our Reviews Section is a piece by Will Evans on Mikhail Shishkin’s Maidenhair, which is translated from the Russian by Marian Schwartz.

Maidenhair will be available to purchase from our very own Open Letter Books on October 23, 2012.

Here’s part of Will’s review:

Contemporary Russian literature all too often falls into a ghettoized section of world literature that keep fans of translated and international literature from fully enjoying the best works of the last twenty years. One problem is a tendency for Western sources to focus on the political elements in a Russian text that inevitably denigrates the quality of the literature itself. At the same time, too many scholars of Russian literature place contemporary Russian literature into a different ghetto altogether, with the predominant sentiment in American universities being that great Russian literature died once upon a time with Bulgakov or Pasternak. This fact is, of course, 100% not true. Both of these problems keep Russian literature from its proper place in discussions of world literature. We appreciate so many of the Russian classics as above politics and existent outside of but wholly influenced by the passage of historical time, while their themes are inherently but subtly political as they discuss the contradictions and distortions in the daily realities of the Russian society that combine to make the stories so timeless and powerful.

Mikhail Shishkin’s Maidenhair is the type of novel that professors of Russian literature can hold up as a shining example in their classrooms that no, Russian literature is not dead (nor has it ever been), while those who might not know their Pushkin from their Shishkin can read and enjoy Maidenhair as a standalone work of literary brilliance; while at the same time the notoriously fickle American readers who might have read Anna Karenina when Oprah’s Book Club made their recommendation or stumbled upon and enjoyed Master & Margarita can sink their mindsteeth into Marian Schwartz’s incredible translation of Shishkin’s novel and marvel in the fact that Maidenhair harkens back to the great classic Russian novels of ideas in every way.

Click here to read the entire review.


Comments are disabled for this article.
....
The Indian
The Indian by Jón Gnarr
Reviewed by P. T. Smith

The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .

Read More >

Mother of 1084; Old Women; Breast Stories
Mother of 1084; Old Women; Breast Stories by Mahasweta Devi
Reviewed by Christopher Iacono

Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .

Read More >

Tristana
Tristana by Benito Pérez Galdós
Reviewed by Lori Feathers

The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .

Read More >

The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >

Iraqi Nights
Iraqi Nights by Dunya Mikhail
Reviewed by Vincent Francone

In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .

Read More >

Three-Light Years
Three-Light Years by Andrea Canobbio
Reviewed by Tiffany Nichols

I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .

Read More >

The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >