24 September 12 | Chad W. Post

This year’s ALTA kicks off officially on Wednesday night with the special opening event celebrating Open Letter’s poetry series—in particular Eduardo Chirinos’s Smoke of Distant Fires, translated by Gary Racz, and Juan Gelman’s Dark Times Filled with Light, translated by Hardie St. Martin—but the real meat of the conference gets going at 9:15 Thursday morning . . . Here are a few of the highlights from those first couple sessions (remember, you can download the entire schedule here):

Thursday, October 4th
9:15 – 10:45

It’s No Pun Anymore: The Loss of Wit & Other Cultural Misunderstandings in Persian Verse Translation

Despite a rich 2,000-year literary tradition, linguistic as well as cultural elements integral to Persian poetry continue to get slighted in English renderings. This panel surveys both the classical and modern tradition of Iranian verse, foregrounding key problems that considerably limit the appreciation of style and theme in translation.

Roger Sedarat: Moderator
Mojdeh Marashi: “Saffron Paper: Rosewater Ink”
Kaveh Bassiri: “The Text Is in the Context”
Sara Khalili: “On Navigating Cultural Misunderstandings in Persian Literature”

*

Translating Murakami in Europe

This panel gathers three European translators of Haruki Murakami to discuss his translation into languages other than English. Focusing upon Murakami’s latest novel, 1Q84, panelists raise such problems as shifting tense, visual wordplay, and strategies for handling the English expressions and American references that appear natural in the English translation, but which stand out in other European languages, as they do in Japanese.

Mette Holm: “In Search of Lost Time in Murakami: Movement Between Past and Present”
Ika Kaminka: “Style and the Translator: Re-Exporting English Idioms out of Japanese”
Anna Zielinska-Elliott: “Visual Presence and Subjective Absence: Conjuring Japanese in European Languages”

*

11:00 – 12:15

Linguistics & the Culture of Humor

What makes an original text humorous and what should a translator understand about language, culture, and linguistics—both in regard to the source and target languages—to make this humor translatable? This panel also considers challenges translators may encounter.

Kaija Straumanis: “On the German Translation of George Saunders’s Pastoralia”
Konstantin Gurevich,
& Helen Anderson: “The Elephant, the Hellephant, and the Quest for Dynamic Equivalence”
Matt Rowe: “Turning The Alienist up to 11”
Emily Davis: “Hypervelocity Cloudlets: Linguistic Precision and the Importance of
Register in Damián Tabarovsky’s Medical Autobiography

tags:

Comments are disabled for this article.
....
The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >

Iraqi Nights
Iraqi Nights by Dunya Mikhail
Reviewed by Vincent Francone

In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .

Read More >

Three-Light Years
Three-Light Years by Andrea Canobbio
Reviewed by Tiffany Nichols

I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .

Read More >

The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >