Continuing the series of ALTA preview posts (for those of you who are coming, or who wish you could be here), here’s a list of choice events from Thursday afternoon (which is only one week from now!). Also, just as a reminder, we’ll be videotaping a bunch of these events, so if you see one that intrigues you, stay tuned—you might be able to watch it online by the end of next month.
Thursday, October 4th
1:45 – 3:00 pm
History, Myth & Language in Francophone Literature
In Francophone countries, French is still often the language of literature and thus of the very literate, creating a distance from the indigenous languages of myth, folklore, and the everyday. The way, then, that a Francophone writer chooses to bend and subvert French to reflect his/her experience as a member of an ex-colony is telling. What are the ways in which the translator recognizes and respects these subversions?
Addie Leak: Moderator
David Ball: “Why Translating ‘Francophone’ Writers Means Translating French”
Marjolijn de Jager: “Freedom with French or Freedom from French”
To MFA or Not to MFA: The Translation Question
More and more universities are now offering certificates and degrees in literary translation, and many creative writing MFA programs include translation courses among their regular offerings. What is the status of translation within the creative writing program? Should it be its own track, or program? Can thinking about teaching writing in general make us better teachers of translation?
Susan Bernofsky: Moderator
Geoffrey Brock: “Translation as Creative Writing”
Becka Mara McKay: “Getting MFA Students Involved with Translation”
Russell Valentino: “As Opposed to What?”
Sidney Wade: “The Importance of Imagination in the Pedagogy of Translation”
3:30 – 4:45 pm
Literary Translation & Creative Nonfiction
This panel will consider the ways in which nonfiction writing might serve as a productive
analog for translators. To what extent do literary translation and creative nonfiction share similar “genre” concerns? Can creative nonfiction serve as a feasible alternative to commercial translation for literary translators? And to what extent can translation itself be practiced as a form of creative nonfiction writing?
Annie Janusch | Jennifer Zoble | Lina Maria Ferreira Cabeza-Vanegas
Rachael Small | Anne Posten | Janet Hendrickson
The Marketing Toolkit: How Translators Can Make Their Work Matter
A translator’s work isn’t over when the manuscript is submitted. This roundtable will offer a nuts-and-bolts approach to helping your publisher market your work, and to helping the media respond to it and to you. This roundtable is part of an ongoing series of events convened by the PEN Translation Committee as it updates its online Handbook for Literary Translators.
Minna Proctor (Moderator) | Margaret Carson | Tom Roberge |
Ira Silverberg | Matvei Yankelevich
And remember, you can download the entire schedule here.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .